The Polaroid Automatic 100 was introduced in 1963 and manufactured through 1966. It was Polaroid's first camera to use their instant "film pack" technology, a great improvement over their earlier roll style films, and was immensely successful. So successful that zillions of them were sold, and therefore zillions are still sitting in closets and attics today.
Unfortunately, Polaroid's generate minimal collectible interest, the film pack and roll film models are no longer usable, film is only readily available for the latest SX-70 type instant film technology, and the Automatic 100 is possibly the most common Polaroid ever made.
Put all that together, you have a camera that might sell for about $10 to $15 in truly excellent condition, and perhaps double that amount if in the original box. Check eBay for yourself, do a search for completed auctions using the key words Polaroid Automatic 100, and you'll see that there is no lack of the darn things and the majority won't sell at all! That's why camera collectors often refer these types of Polaroid's as "boat anchors" and "paper weights". I'm afraid it's a "white elephant" with virtually no value.
The Model 95 was Polaroid's first camera, and it was introduced in 1948. They sold zillions of the darn things into the 1950's, so they really don't have any value. In fact, virtually all Polaroid cameras are just about worthless today. No collectible interest, and really no usable value. The film for the Model 95 was discontinued in 1971. To match your 1969 VW, I'd recommend a mid to late 1960's film pack Polaroid, the best example being the Polaroid 100, but there are plenty of other similar cheap models that are common fodder at flea markets for around $5-$10 each.
I'm afraid there's nothing special or valuable about the Polaroid Model 100. It's merely an "industrial" version of their extremely common Model 95A made from 1954 to 1957. It has better gears and cogs in it to stand the extra strain of day-to-day work, and probably the majority of these cameras were used in police and security. As for selling "less than 10,000", well, you don't understand, that's a lot of sales for an industrial model.
In truly excellent condition, a Polaroid Model 100 would sell for around $20 today, and maybe double that in the original box with instructions. It's no great treasure as a collectible, as a rule, Polaroid's tender virtually no interest among collectors, and absolutely worthless as a usable piece, the roll film for these was discontinued years ago.
The cost of film is getting more expensive, and the quality is fairly close to a 1.3 mega pixel camera. I could only suggest a Polaroid SX-70 camera. This camera uses a manual focus glass lens, and allows for fairly accurate exposure control. Not in any form of calculated values, but a sliding switch for a lighter / darker image. Old, but the more fancy of the bunch. Sure to offer some nice images.
If you want to use an older film pack Polaroid, with their old style black and white emulsion, and you need manual controls, I'm afraid you're limited to the 195, the 190, European equivalent of the 195, the 180 features a really nice Zeiss Ikon rangefinder, and the 185 very rare, so essentially untouchable because collectors will pay so much for it. All the other more common film pack Polaroid's is amateur models, cheap plastic junk with automatic exposure control only. The 195 remain the most desirable and you will see prices in the $300+ range.
The 190 is the oddball that sometimes slips through the cracks in the $200 range, but is actually, I believe, a slightly better model than the 195 and should go for more! The 180 are a bit more common than the other two and have declined in value the past two years, now selling for around $200. All three are very fine cameras indeed, but you're competing with collectors and specialized professional users. You'll have to get very lucky to find one at a discount price.
Victor Epand is an expert consultant at http://www.UsedCameraSell.com/. Used Camera Sell is a community of various independent used camera sellers from around the world. Each used camera seller represents a unique style of products all their own. If you have used cameras to sell, click here to create a Camera Account.
Article Source: http://EzineArticles.com/?expert=Victor_Epand
Sunday, November 15, 2009
Monday, November 2, 2009
The Fun of Taking Pictures Continues With Polaroid Digital Cameras
Everyone knows what “Polaroid” is, and the name is firmly associated with the famous Polaroid instant camera, which was so popular during late 1980 – early 1990. Undoubtedly, those cameras were fun; however, the camera world doesn’t remain the same. Gone are the days when the latest fad was a camera that instantly ejected a picture once it was taken. Now, Polaroid digital cameras are becoming more and more popular.
Types of Polaroid Digital Cameras
Polaroid digital cameras come in a variety of types giving plenty of choice opportunities. Another added bonus of Polaroid digital cameras is that there are some models that have been specially designed to benefit a good cause.
The m635P is a Polaroid digital camera that was designed exclusively to promote breast cancer research. On September 25, 2006, Polaroid and actress Elizabeth Hurley joined together to donate $60,000 to the Breast Cancer Research Foundation. To further promote breast cancer awareness, Polaroid introduced a special line of light pink, pink, and magenta Polaroid digital cameras.
The features of these special cameras include automatic exposure and 6.0 megapixel resolution. The cameras come with a USB/AV cable, a Li-ion rechargeable battery, a hand strap, a protective skin, an AC adapter, and a DVD with photo editing software.
The ION digital camera by Polaroid is one more remarkable achievement, combining high-end features and ease of use. This camera has 8MB of on-board memory, and because it is compact and lightweight, it is excellent for those people who are always on the go.
The ION digital camera’s other features include an electronic 10-second timer, the ability to take AVI video clips with audio as a web cam, auto white balance with automatic exposure, and a resolution of 640 x 460 pixels. Additionally, the camera generally comes with a DVD of ArcSoft software, a USB cable, and two AAA batteries.
Polaroid digital cameras are available in many other models, which you can get from a local retailer, or online, including the official Polaroid website. Prices also range depending upon the camera model and its subsequent capabilities. With any of the Polaroid digital cameras you will enjoy taking excellent pictures with amazing ease.
For more information on Polaroid Digital Cameras check out http://www.digitalcameraworld.org You'll find loads of tips and techniques plus you'll find answers to questions many others in your situation have asked before. But Hurry! For a limited time you can get your very own copy of our award winning Digital Camera Software at absolutely no cost.
Article Source: http://EzineArticles.com/?expert=Josh_J
Types of Polaroid Digital Cameras
Polaroid digital cameras come in a variety of types giving plenty of choice opportunities. Another added bonus of Polaroid digital cameras is that there are some models that have been specially designed to benefit a good cause.
The m635P is a Polaroid digital camera that was designed exclusively to promote breast cancer research. On September 25, 2006, Polaroid and actress Elizabeth Hurley joined together to donate $60,000 to the Breast Cancer Research Foundation. To further promote breast cancer awareness, Polaroid introduced a special line of light pink, pink, and magenta Polaroid digital cameras.
The features of these special cameras include automatic exposure and 6.0 megapixel resolution. The cameras come with a USB/AV cable, a Li-ion rechargeable battery, a hand strap, a protective skin, an AC adapter, and a DVD with photo editing software.
The ION digital camera by Polaroid is one more remarkable achievement, combining high-end features and ease of use. This camera has 8MB of on-board memory, and because it is compact and lightweight, it is excellent for those people who are always on the go.
The ION digital camera’s other features include an electronic 10-second timer, the ability to take AVI video clips with audio as a web cam, auto white balance with automatic exposure, and a resolution of 640 x 460 pixels. Additionally, the camera generally comes with a DVD of ArcSoft software, a USB cable, and two AAA batteries.
Polaroid digital cameras are available in many other models, which you can get from a local retailer, or online, including the official Polaroid website. Prices also range depending upon the camera model and its subsequent capabilities. With any of the Polaroid digital cameras you will enjoy taking excellent pictures with amazing ease.
For more information on Polaroid Digital Cameras check out http://www.digitalcameraworld.org You'll find loads of tips and techniques plus you'll find answers to questions many others in your situation have asked before. But Hurry! For a limited time you can get your very own copy of our award winning Digital Camera Software at absolutely no cost.
Article Source: http://EzineArticles.com/?expert=Josh_J
Friday, February 27, 2009
Flower Photography Tips
Flower Photography Tips by Sarah-Jane Covey
Flower Photo Tips - 15 ways to improve your flower photography and plant pictures
1. Use a diffuser to block out the harsh light on sunny days.
2. Take photos of flowers on overcast days.
3. Blur the background to allow your subject to stand out in your picture. Use a macro lens or the largest aperture you can to achieve a small depth of field.
4. Avoid windy days to avoid motion blur.
5. Look at composition, have you correctly framed your subject? Try the thirds rule and avoid always placing the flower in the centre of the picture.
6. Experiment in adverse weather conditions. Frost and dew add extra impact to your photos.
7. Make sure you use the lowest ISO setting on your camera.
8. Use a tripod to obtain pin sharp photographs.
9. Make the flower the focal point in the photo. Try filling the frame with the flower and have no background showing.
10. Pay attention to what is in the background, you don't want to have a label in your picture, do a little "gardening", but be careful if you are not in your own garden.
11. If you take a photo of more than one flower, try and make it an odd number.
12. Look for flowers that are perfect, a nibbled petal looks tatty.
13. Try for a different perspective, from below, from above, in profile.
14. Use the histogram on your camera to ensure that you have no clipping.
15. Be creative with your lighting. Try back lit shots.
About the Author
Contemporary fine art flower & plant photo prints, canvas pictures and greetings cards for sale by UK based garden photographer Sarah-Jane Covey. Specialising in vibrantly colourful, modern, close-up macro flower photography images.
To see more flower information and pictures visit http://www.sarahjanecovey.co.uk/gallery
Flower Photo Tips - 15 ways to improve your flower photography and plant pictures
1. Use a diffuser to block out the harsh light on sunny days.
2. Take photos of flowers on overcast days.
3. Blur the background to allow your subject to stand out in your picture. Use a macro lens or the largest aperture you can to achieve a small depth of field.
4. Avoid windy days to avoid motion blur.
5. Look at composition, have you correctly framed your subject? Try the thirds rule and avoid always placing the flower in the centre of the picture.
6. Experiment in adverse weather conditions. Frost and dew add extra impact to your photos.
7. Make sure you use the lowest ISO setting on your camera.
8. Use a tripod to obtain pin sharp photographs.
9. Make the flower the focal point in the photo. Try filling the frame with the flower and have no background showing.
10. Pay attention to what is in the background, you don't want to have a label in your picture, do a little "gardening", but be careful if you are not in your own garden.
11. If you take a photo of more than one flower, try and make it an odd number.
12. Look for flowers that are perfect, a nibbled petal looks tatty.
13. Try for a different perspective, from below, from above, in profile.
14. Use the histogram on your camera to ensure that you have no clipping.
15. Be creative with your lighting. Try back lit shots.
About the Author
Contemporary fine art flower & plant photo prints, canvas pictures and greetings cards for sale by UK based garden photographer Sarah-Jane Covey. Specialising in vibrantly colourful, modern, close-up macro flower photography images.
To see more flower information and pictures visit http://www.sarahjanecovey.co.uk/gallery
Monday, February 16, 2009
Photography: 5 Most Popular Types of Photography
Photography: 5 Most Popular Types of Photography by Alexis Brunswick
Photography has quickly become one of the most popular pastimes for adults and children alike. With today's technology, it's not difficult to see why so many people are stepping behind the camera and looking at the world through the lenses of digital photography.
Below you will find five of the most popular types of photography and a brief description of each. Don't worry, these aren't the only types of photography in the world, there are many more to choose from as well:
1. Nature. Nature is, by far, one of the most popular types of photography. From breathtaking sunsets and waterfalls to fascinating volcanoes and mountains the rewards of capturing the world's natural beauty are limitless. There's a world of opportunity right outside your door.
2. People. Taking photos of people has been and will always be a great way to share memories and capture the important moments of life. There are many ways to photograph people, including staged photos, natural photos, black and white pictures and more. Many professional photographers love taking pictures of newborn babies. Anne Geddes is just one of several professionals who have made their living off of selling photos of newborn babies.
3. Travel. Travel pictures have become more and more popular, not only for tourists but for professional photographers as well. Photos of ancient buildings and scenic cities capture the cultures and traditions of people all over the world. Travel photos can range from pictures of people and places to objects and wildlife.
4. Abstract. Abstract photographs have increased in popularity over the past few years. These types of photos are becoming a common choice for home-owners looking for a special piece of art in their home. A large abstract picture can be the focal point of a living room, bedroom or studio and can help release a personal sense of style.
5. Product. Product photos are a great way to increase sales. These types of photos are generally professionally taken and used for marketing purposes by larger companies. Shoes, clothing, furniture, cars, home decor and, even homes, are all popular items when it comes to product photos.
The type of photography equipment you use - and the photography lighting for specific shots - will have a huge impact on your end products. Investing time and money to maximize the potential, will have a huge impact on the end product. Good luck!
About the Author
Alexis Brunswick is very interested in photography. She's interested to learn more about the different types of photography and is looking forward to taking photography courses in the future
Photography has quickly become one of the most popular pastimes for adults and children alike. With today's technology, it's not difficult to see why so many people are stepping behind the camera and looking at the world through the lenses of digital photography.
Below you will find five of the most popular types of photography and a brief description of each. Don't worry, these aren't the only types of photography in the world, there are many more to choose from as well:
1. Nature. Nature is, by far, one of the most popular types of photography. From breathtaking sunsets and waterfalls to fascinating volcanoes and mountains the rewards of capturing the world's natural beauty are limitless. There's a world of opportunity right outside your door.
2. People. Taking photos of people has been and will always be a great way to share memories and capture the important moments of life. There are many ways to photograph people, including staged photos, natural photos, black and white pictures and more. Many professional photographers love taking pictures of newborn babies. Anne Geddes is just one of several professionals who have made their living off of selling photos of newborn babies.
3. Travel. Travel pictures have become more and more popular, not only for tourists but for professional photographers as well. Photos of ancient buildings and scenic cities capture the cultures and traditions of people all over the world. Travel photos can range from pictures of people and places to objects and wildlife.
4. Abstract. Abstract photographs have increased in popularity over the past few years. These types of photos are becoming a common choice for home-owners looking for a special piece of art in their home. A large abstract picture can be the focal point of a living room, bedroom or studio and can help release a personal sense of style.
5. Product. Product photos are a great way to increase sales. These types of photos are generally professionally taken and used for marketing purposes by larger companies. Shoes, clothing, furniture, cars, home decor and, even homes, are all popular items when it comes to product photos.
The type of photography equipment you use - and the photography lighting for specific shots - will have a huge impact on your end products. Investing time and money to maximize the potential, will have a huge impact on the end product. Good luck!
About the Author
Alexis Brunswick is very interested in photography. She's interested to learn more about the different types of photography and is looking forward to taking photography courses in the future
An Expert Note About Exposure
An Expert Note About Exposure by James D. Humphrey
Exposure is one of the basic terms used in photography. In photo contests, exposure is played according to the artist perspective in trying to produce a perfect image. This is determined by the sensitivity of the medium used. Some artists still use photographic films in photo contests to fool around with the exposure since more advanced cameras requires less exposure and has a higher ISO rating.
The Exposure Triangle is composed of elements:
ISO, Aperture and the Shutter Speed.ISO - the measure of a digital camera sensor's sensitivity to light Aperture - the size of the opening in the lens when a picture is taken Shutter Speed - the amount of time that the shutter is open
Each of the three factors play a part of its own in relation to light. According to an expert photo competition editor, the intersection of these three elements works out the correct exposure of an image. Another thing to keep in mind if try to use this technique in actual photo competitions is you can't totally favor one element from another. This means that you can never really focus on ISO alone but you have to consider all three elements to create a desirable portrait.
For us to fully comprehend and remember the relationship of the elements in the exposure triangle, Darren Rowse make use of metaphors. Here are some of the metaphors he used.
The Window
Here, Rowse described the camera as a window with shutters that open and close. He characterized the size of the window as the aperture and the shutter speed to be the amount of time the shutters of the window is left open. The concept is very similar to the actual triangle and you can practically imagine his metaphor even if your in the middle of a photo competition you will easily remember Rowse's "The Window". Now imagine yourself inside the room where the window is and are wearing sunglasses. Your eyes become desensitized to the light that comes in - this exhibits a low ISO scenario. To increase the size of the ISO, all you have to do is brighten the room. Do this by increasing the time that the shutters are open (decrease shutter speed) or you could increase the dimension of the window (increase aperture) or you can take off your glasses (make the ISO larger).
Sunbaking
This metaphor is a lot easier to digest since I personally have had experience being under the sun to get myself tanned. A friend of Danny's shared this with him and I bet he's into photography contests too. The concept here is that your skin type would be the ISO rating since everyone has different sensitivity with the sun's ray. The shutter speed would be the time you keep yourself under the sun. Having sunburns mean you are over exposed, well that's a fact. The aperture is the sun lotion you apply to your skin to protect it from too much heat. Here, the strength of the sun lotion determines the relationship of it to the amount of time you can be under the sun. The stronger the lotion, the longer you can expose your body and as a result even a person with sensitive skin can soak a little longer.
Now I hope you have that light bulb over your head on the concept of exposure. Mastering exposure is very tricky and even expert photographers have to adjust their setting once in a while. When you try to experiment with exposure, whether at home, as you travel or even in photography contests, always remember that changing each element in the exposure triangle not only impacts the exposure of the image but each one also has an impact upon other aspects of it.
If you're really eager to know some combination settings for ISO, Aperture and Shutter Speed you should try searching for advices from picture contest sites or forums. You will find many suggestion and ideas there. Picture contest sites are everywhere so you won't have a hard time finding a good one.
About the Author
James D. Humphrey is one of the developers and sales executive of Photo laureates. The site's photo contest provide a platform of artistic expression for amateur and professional photographers to gain exposure and recognition.
Exposure is one of the basic terms used in photography. In photo contests, exposure is played according to the artist perspective in trying to produce a perfect image. This is determined by the sensitivity of the medium used. Some artists still use photographic films in photo contests to fool around with the exposure since more advanced cameras requires less exposure and has a higher ISO rating.
The Exposure Triangle is composed of elements:
ISO, Aperture and the Shutter Speed.ISO - the measure of a digital camera sensor's sensitivity to light Aperture - the size of the opening in the lens when a picture is taken Shutter Speed - the amount of time that the shutter is open
Each of the three factors play a part of its own in relation to light. According to an expert photo competition editor, the intersection of these three elements works out the correct exposure of an image. Another thing to keep in mind if try to use this technique in actual photo competitions is you can't totally favor one element from another. This means that you can never really focus on ISO alone but you have to consider all three elements to create a desirable portrait.
For us to fully comprehend and remember the relationship of the elements in the exposure triangle, Darren Rowse make use of metaphors. Here are some of the metaphors he used.
The Window
Here, Rowse described the camera as a window with shutters that open and close. He characterized the size of the window as the aperture and the shutter speed to be the amount of time the shutters of the window is left open. The concept is very similar to the actual triangle and you can practically imagine his metaphor even if your in the middle of a photo competition you will easily remember Rowse's "The Window". Now imagine yourself inside the room where the window is and are wearing sunglasses. Your eyes become desensitized to the light that comes in - this exhibits a low ISO scenario. To increase the size of the ISO, all you have to do is brighten the room. Do this by increasing the time that the shutters are open (decrease shutter speed) or you could increase the dimension of the window (increase aperture) or you can take off your glasses (make the ISO larger).
Sunbaking
This metaphor is a lot easier to digest since I personally have had experience being under the sun to get myself tanned. A friend of Danny's shared this with him and I bet he's into photography contests too. The concept here is that your skin type would be the ISO rating since everyone has different sensitivity with the sun's ray. The shutter speed would be the time you keep yourself under the sun. Having sunburns mean you are over exposed, well that's a fact. The aperture is the sun lotion you apply to your skin to protect it from too much heat. Here, the strength of the sun lotion determines the relationship of it to the amount of time you can be under the sun. The stronger the lotion, the longer you can expose your body and as a result even a person with sensitive skin can soak a little longer.
Now I hope you have that light bulb over your head on the concept of exposure. Mastering exposure is very tricky and even expert photographers have to adjust their setting once in a while. When you try to experiment with exposure, whether at home, as you travel or even in photography contests, always remember that changing each element in the exposure triangle not only impacts the exposure of the image but each one also has an impact upon other aspects of it.
If you're really eager to know some combination settings for ISO, Aperture and Shutter Speed you should try searching for advices from picture contest sites or forums. You will find many suggestion and ideas there. Picture contest sites are everywhere so you won't have a hard time finding a good one.
About the Author
James D. Humphrey is one of the developers and sales executive of Photo laureates. The site's photo contest provide a platform of artistic expression for amateur and professional photographers to gain exposure and recognition.
Sunday, February 1, 2009
Photography - 5 Most Popular Types of Photography
Photography - 5 Most Popular Types of Photography By Alexis Brunswick
Photography has quickly become one of the most popular pastimes for adults and children alike. With today's technology, it's not difficult to see why so many people are stepping behind the camera and looking at the world through the lenses of digital photography.
Below you will find five of the most popular types of photography and a brief description of each. Don't worry, these aren't the only types of photography in the world, there are many more to choose from as well:
1. Nature. Nature is, by far, one of the most popular types of photography. From breathtaking sunsets and waterfalls to fascinating volcanoes and mountains the rewards of capturing the world's natural beauty are limitless. There's a world of opportunity right outside your door.
2. People. Taking photos of people has been and will always be a great way to share memories and capture the important moments of life. There are many ways to photograph people, including staged photos, natural photos, black and white pictures and more. Many professional photographers love taking pictures of newborn babies. Anne Geddes is just one of several professionals who have made their living off of selling photos of newborn babies.
3. Travel. Travel pictures have become more and more popular, not only for tourists but for professional photographers as well. Photos of ancient buildings and scenic cities capture the cultures and traditions of people all over the world. Travel photos can range from pictures of people and places to objects and wildlife.
4. Abstract. Abstract photographs have increased in popularity over the past few years. These types of photos are becoming a common choice for home-owners looking for a special piece of art in their home. A large abstract picture can be the focal point of a living room, bedroom or studio and can help release a personal sense of style.
5. Product. Product photos are a great way to increase sales. These types of photos are generally professionally taken and used for marketing purposes by larger companies. Shoes, clothing, furniture, cars, home decor and, even homes, are all popular items when it comes to product photos.
If you're looking for a hobby that's interesting, fun and can potentially make you some money, photography is definitely the way to go. Besides, you might have an undiscovered talent just waiting to be tapped into. Good luck!
Alexis Brunswick is very interested in photography. She's interested to learn more about the different types of photography and is looking forward to taking photography courses in the future.
Article Source: http://EzineArticles.com/?expert=Alexis_Brunswick
Photography has quickly become one of the most popular pastimes for adults and children alike. With today's technology, it's not difficult to see why so many people are stepping behind the camera and looking at the world through the lenses of digital photography.
Below you will find five of the most popular types of photography and a brief description of each. Don't worry, these aren't the only types of photography in the world, there are many more to choose from as well:
1. Nature. Nature is, by far, one of the most popular types of photography. From breathtaking sunsets and waterfalls to fascinating volcanoes and mountains the rewards of capturing the world's natural beauty are limitless. There's a world of opportunity right outside your door.
2. People. Taking photos of people has been and will always be a great way to share memories and capture the important moments of life. There are many ways to photograph people, including staged photos, natural photos, black and white pictures and more. Many professional photographers love taking pictures of newborn babies. Anne Geddes is just one of several professionals who have made their living off of selling photos of newborn babies.
3. Travel. Travel pictures have become more and more popular, not only for tourists but for professional photographers as well. Photos of ancient buildings and scenic cities capture the cultures and traditions of people all over the world. Travel photos can range from pictures of people and places to objects and wildlife.
4. Abstract. Abstract photographs have increased in popularity over the past few years. These types of photos are becoming a common choice for home-owners looking for a special piece of art in their home. A large abstract picture can be the focal point of a living room, bedroom or studio and can help release a personal sense of style.
5. Product. Product photos are a great way to increase sales. These types of photos are generally professionally taken and used for marketing purposes by larger companies. Shoes, clothing, furniture, cars, home decor and, even homes, are all popular items when it comes to product photos.
If you're looking for a hobby that's interesting, fun and can potentially make you some money, photography is definitely the way to go. Besides, you might have an undiscovered talent just waiting to be tapped into. Good luck!
Alexis Brunswick is very interested in photography. She's interested to learn more about the different types of photography and is looking forward to taking photography courses in the future.
Article Source: http://EzineArticles.com/?expert=Alexis_Brunswick
Why Digital Cameras Are Better Than Film Cameras
Why Digital Cameras Are Better Than Film Cameras By Chris Campbell
When you plan to use a digital camera that will help you remember the best moments of your life, the decision shouldn't be taken lightly. With a digital camera, the photos you take will look better and you will be able to take snapshots in all kinds of conditions, even with bad lighting. Here are 10 reasons why you should use a digital camera:
1. Your photos will have a much better resolution since the image is stored by the digital camera in pixels.
2. You can delete bad photos at anytime, so no more paying for photos that don't turn out well.
3. A digital camera will let you modify images before you print them, so the end result is better.
4. You don't have to buy film, and you're always prepared to take photos when the occasion appears. Think how annoying it is to try taking a photo and missing film in the camera.
5. You can see the end result right after you take the photo. Seeing the photo insures that you will always save the good ones, and repeat the photos when they turn bad.
6. Each model of camera will come with its own pixel count. The bigger this number, the better the resolution and the quality of the photos you take.
7. The LCD screen of the digital camera lets you preview the photo properly, instead of looking for a small viewfinder.
8. You can connect your digital camera to the computer, copy the photos, save them or modify them with Photoshop.
9. You're no longer limited to just a few dozen photos, until your run out of film. A digital camera can store hundreds if not thousands of photos.
10. Right after you take the photos, you can copy them to the PC, upload them to an online service, like Flickr or to a site that lets you modify them. Or, you can send them to a shop that develops photos and pick them up a bit later.
The reasons you read above are all good parts of the digital camera when you compare it with a normal one.
When you're looking to buy a digital camera, you can choose between a lot of models, with many different options. You can visit a store to check what models they have for sale and what each can do. Price shouldn't be the only reason why you choose a camera. When you take into consideration all the great photos you'll be taking, a digital camera is well worth the investment. You should also look for cameras that support rechargeable batteries, since it will save you a bit of money in the long term.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
When you plan to use a digital camera that will help you remember the best moments of your life, the decision shouldn't be taken lightly. With a digital camera, the photos you take will look better and you will be able to take snapshots in all kinds of conditions, even with bad lighting. Here are 10 reasons why you should use a digital camera:
1. Your photos will have a much better resolution since the image is stored by the digital camera in pixels.
2. You can delete bad photos at anytime, so no more paying for photos that don't turn out well.
3. A digital camera will let you modify images before you print them, so the end result is better.
4. You don't have to buy film, and you're always prepared to take photos when the occasion appears. Think how annoying it is to try taking a photo and missing film in the camera.
5. You can see the end result right after you take the photo. Seeing the photo insures that you will always save the good ones, and repeat the photos when they turn bad.
6. Each model of camera will come with its own pixel count. The bigger this number, the better the resolution and the quality of the photos you take.
7. The LCD screen of the digital camera lets you preview the photo properly, instead of looking for a small viewfinder.
8. You can connect your digital camera to the computer, copy the photos, save them or modify them with Photoshop.
9. You're no longer limited to just a few dozen photos, until your run out of film. A digital camera can store hundreds if not thousands of photos.
10. Right after you take the photos, you can copy them to the PC, upload them to an online service, like Flickr or to a site that lets you modify them. Or, you can send them to a shop that develops photos and pick them up a bit later.
The reasons you read above are all good parts of the digital camera when you compare it with a normal one.
When you're looking to buy a digital camera, you can choose between a lot of models, with many different options. You can visit a store to check what models they have for sale and what each can do. Price shouldn't be the only reason why you choose a camera. When you take into consideration all the great photos you'll be taking, a digital camera is well worth the investment. You should also look for cameras that support rechargeable batteries, since it will save you a bit of money in the long term.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
Saturday, January 31, 2009
Close up Photography, an emotional approach to Nature Photography
Close up Photography, an emotional approach to Nature Photography by Phil McDermott
From wide open spaces to rugged mountains, rolling meadows to dramatic coastlines they all play an important part in the nature of landscape. However, with such a view it is often hard to appreciate the beauty because there is nowhere for the eye to settle and concentrate on.
Why not take a fresh approach to nature photography and concentrate on part of the view and take time to consider color, shape and texture to really appreciate the finer features of the scene.
Enter the world of close up photography that lies just beyond the familiar but so rich in detail and beauty. If we look through our close up lens with an open mind, imagination and childlike curiosity there are many close up photography opportunities for us to consider.
As nature photographers we can take this concept further, for example that distant bright yellow patch becomes on closer inspection a riotous stand of broom flowers. Closer still we see clearly the intricate detail in each flower and seedpod that we can record in our close up photography.
Now go really close, look at the seedpod with its gossamer covering of fine hairs and we start to appreciate how things fit together. Whilst this is not a scientific approach it provides a raw and basic understanding, offers enlightenment and lets us become an integral part of nature. So by going close up and concentrating on a small part of the whole we have simplified our close up photography subject, made it basic, powerful and memorable,.
There is no need to go far, finding close up nature photography opportunities should be seen as a journey of the soul, inner vision and contemplation rather than visiting a far off place. Often the deeper we look into our close up photography subjects the more rewarding they become. Without hesitation they reveal their treasures allowing us time to admire their quality. With this awareness the nature photographer with a passion for close up photography is indeed privileged.
Appreciating that all these parts form an important relationship with each other makes it is easier to understand that the whole is made up of many unique parts and like pieces of a jigsaw they combine together to create a complete picture. Indeed, only by appreciating the significance of the smallest parts of our surroundings can we can start to make sense of nature as a whole and incorporate this awareness into our close up photography.
Emotion and drama and be found in often overlooked close up photography cameos, like a delicate flower growing defiantly in a boulder crevice, its tenuous grip on life dependent on the sustenance from the crevice debris. Yet it lives on year after year, testimony to its determination and resilience. It is this inter-action that is so enduring and compelling that makes these interesting subjects perfect for nature photography.
As a close up photographer getting close up to nature allows a greater understanding and appreciation of the beauty of the natural world. For example a cold clear winter day with breathtaking crispness can be ideal for close up photography, in these conditions there are magical patterns in snow, frost and shimmering icicles. Ice patterns make perfect winter close up photography subjects; they literally capture a moment frozen in time. Depending on the prevailing weather conditions some have smooth curves whilst others show harsh jagged lines providing creative close up photography opportunities.
Early morning in spring and summer can be a wonderful time to find close up photography subjects. Flowers and grasses covered with dew or fine rain make fascinating close up photography studies, the fine hairs hold onto droplets of water almost defy gravity. In the right conditions there may be insects that after a night's inactivity have become encrusted with minute droplets. Butterflies make excellent close up photography subjects and look stunning covered in dew as they sparkle like a myriad of jewels.
Light quality plays an important role in our close up photography, if it is too harsh the increase in contrast will actually block out the very close up detail we are trying to photograph. It is far better to have diffused light that occurs with high thin cloud cover. It provides a much softer quality of light and allows the detail, texture and nuances to be clearly seen and recorded in our close up photography. Color also influences our interpretation of the subject, vibrant colors like red and yellow for example suggest dominance and power, whereas muted tones like grey and browns convey basic, earthy and tranquil feelings.
So, if we approach our close up photography with childlike wonder and a renewed vision the natural world is undoubtedly a beautiful place. To fully appreciate it requires a little time and an inquisitive mind, it will reward you with the knowledge that even the simplest of things can bring satisfaction, contentment, harmony and inner peace.
About the Author
Phil McDermott, Scotland Commercial Photographer and Close up Photography Workshops Phil McDermott Photography. See our Photography Blog for Photography Tips and Ideas.
From wide open spaces to rugged mountains, rolling meadows to dramatic coastlines they all play an important part in the nature of landscape. However, with such a view it is often hard to appreciate the beauty because there is nowhere for the eye to settle and concentrate on.
Why not take a fresh approach to nature photography and concentrate on part of the view and take time to consider color, shape and texture to really appreciate the finer features of the scene.
Enter the world of close up photography that lies just beyond the familiar but so rich in detail and beauty. If we look through our close up lens with an open mind, imagination and childlike curiosity there are many close up photography opportunities for us to consider.
As nature photographers we can take this concept further, for example that distant bright yellow patch becomes on closer inspection a riotous stand of broom flowers. Closer still we see clearly the intricate detail in each flower and seedpod that we can record in our close up photography.
Now go really close, look at the seedpod with its gossamer covering of fine hairs and we start to appreciate how things fit together. Whilst this is not a scientific approach it provides a raw and basic understanding, offers enlightenment and lets us become an integral part of nature. So by going close up and concentrating on a small part of the whole we have simplified our close up photography subject, made it basic, powerful and memorable,.
There is no need to go far, finding close up nature photography opportunities should be seen as a journey of the soul, inner vision and contemplation rather than visiting a far off place. Often the deeper we look into our close up photography subjects the more rewarding they become. Without hesitation they reveal their treasures allowing us time to admire their quality. With this awareness the nature photographer with a passion for close up photography is indeed privileged.
Appreciating that all these parts form an important relationship with each other makes it is easier to understand that the whole is made up of many unique parts and like pieces of a jigsaw they combine together to create a complete picture. Indeed, only by appreciating the significance of the smallest parts of our surroundings can we can start to make sense of nature as a whole and incorporate this awareness into our close up photography.
Emotion and drama and be found in often overlooked close up photography cameos, like a delicate flower growing defiantly in a boulder crevice, its tenuous grip on life dependent on the sustenance from the crevice debris. Yet it lives on year after year, testimony to its determination and resilience. It is this inter-action that is so enduring and compelling that makes these interesting subjects perfect for nature photography.
As a close up photographer getting close up to nature allows a greater understanding and appreciation of the beauty of the natural world. For example a cold clear winter day with breathtaking crispness can be ideal for close up photography, in these conditions there are magical patterns in snow, frost and shimmering icicles. Ice patterns make perfect winter close up photography subjects; they literally capture a moment frozen in time. Depending on the prevailing weather conditions some have smooth curves whilst others show harsh jagged lines providing creative close up photography opportunities.
Early morning in spring and summer can be a wonderful time to find close up photography subjects. Flowers and grasses covered with dew or fine rain make fascinating close up photography studies, the fine hairs hold onto droplets of water almost defy gravity. In the right conditions there may be insects that after a night's inactivity have become encrusted with minute droplets. Butterflies make excellent close up photography subjects and look stunning covered in dew as they sparkle like a myriad of jewels.
Light quality plays an important role in our close up photography, if it is too harsh the increase in contrast will actually block out the very close up detail we are trying to photograph. It is far better to have diffused light that occurs with high thin cloud cover. It provides a much softer quality of light and allows the detail, texture and nuances to be clearly seen and recorded in our close up photography. Color also influences our interpretation of the subject, vibrant colors like red and yellow for example suggest dominance and power, whereas muted tones like grey and browns convey basic, earthy and tranquil feelings.
So, if we approach our close up photography with childlike wonder and a renewed vision the natural world is undoubtedly a beautiful place. To fully appreciate it requires a little time and an inquisitive mind, it will reward you with the knowledge that even the simplest of things can bring satisfaction, contentment, harmony and inner peace.
About the Author
Phil McDermott, Scotland Commercial Photographer and Close up Photography Workshops Phil McDermott Photography. See our Photography Blog for Photography Tips and Ideas.
How to Select Your DSLR Camera (so easy especially beginners)
How to Select Your DSLR Camera (so easy especially beginners) by Saifuddin
This article can also be intended for those who are planning to buy a DSLR Camera especially beginners.
DSLR camera, and any model brand, intended as a professional camera that is able to provide the performance and quality of the images is high. This type of camera is for photographers who understand the basic photography, and when used correctly it will give satisfactory results. Compared with the usual pocket camera, the camera DSLR have advantages in terms of performance such as high-speed shooting, SHUTTER a short lag, the accuracy of the measurements in the light (metering) and manual setting available abundant. In each camera DSLR there is a similarity in their own standards to distinguish them from ordinary pocket camera, such as:
Has a large sensor Has Module an accurate to auto focus The viewfinder image obtained directly from the lens Wear SHUTTER mechanical There is a mirror that can be up and down while taking
When the first DSLR camera will find it to be a difficult time. First is to measure the ability of self, both in terms of funds and ability. For beginners who already understand basic photography and has a number of funds, to begin considering DSLR entry level (beginner). For professionals who will make a DSLR camera as a means of looking for money camera requires a more sophisticated and able to support the needs of users. DSLR cameras are generally used in professional photo studios that are combined with other devices such as flash with the cable system. The camera is also used professional journalists who require high-speed, or the ability of resistance against various extreme weather conditions. Therefore, the first set in a position where we will have to purchase a DSLR camera.
Basically, select the camera is a retired art and experience, in which decisions will be to provide satisfaction and a mistake in choosing to make possible upset and regret. But in the case chose DSLR camera for beginners, a person deemed to have enough to understand the basic photography, so that at least able to identify the advantages and limitations of each option available. This is the advice that I can submit:
1. No camera is the better than other. Each DSLR camera, though for beginners, is designed to be used as a serious camera equipped with an advanced feature. Irrespective of brand, standard specifications of the camera DSLR beginners generally the same.
2. The key is the professional photography of the lens. DSLR camera is a determination on the photographs, but the quality and the impression of a professional image obtained from the type of lens attached. It is more difficult (and more expensive) lenses explore favorite rather than the camera body DSLR. The camera often used the reduced value of selling the return, while the lenses tend to be durable and can be withdrawn investment.
3. In selecting DSLR first recognize the features and specification, return to our needs, whether it needs to features and specifications offered. Do not until you pay more for features that are not needed.
4. Do not expect the extra features and high specifications on the camera DSLR beginners. Determine the quality of the price. Sorry to say, but this should be recognized that even though there may not concur. When want the best quality of a DSLR camera, which the specifications and features that it has is that one class, the price should be paid much higher than the beginner DSLR features are standard and specification.
Now try to answer the questions which later this will be your own will be able to decide where the camera of your choice:
1. Do you prefer a DSLR camera with a CCD sensor (Nikon, Pentax) or CMOS (Canon)?
2. Do you need a resolution sensor up to 10 megapixel (Canon)?
3. Do you need a stabilizer in the body (Pentax) or in the lens (Nikon, Canon)?
4. Would you like to see more on the status of a small LCD screen to the top of the camera (Pentax) or does not object to the view all the information on the main LCD screen (Nikon, Canon)?
5. Where's the third best have economize, the size of the handgrip looks comfortable, the layout of the buttons that neat and logical, and the body material (plastic) that feel strong?
6. Do you object to the lack of motor auto focus on the body (Nikon)? 7. How many point auto focus that you need? Only three are enough (Nikon), nine-point (Canon) or up to eleven point (Pentax)?
8. Do you object to the lack of spot metering options (Canon)?
9. Do you object to the lack of options bracketing (Nikon)?
10.Do you need is a flash sync up to 1 / 500 seconds (Nikon)?
11.Do you like lithium battery (Nikon, Canon) or alkaline (Pentax)?
At least, we need to understand, identify the advantages and limitations of the existing camera, and take into account other factors (such as after-sales, convenience / availability of the lens options and accessories), then select the ideal DSLR no longer be difficult. Choose the one you like, attach the lens, and start taking.
Get Cheap DSLR Camera, visit to www.digslrcamera.com
About the Author
www.digslrcamera.com
This article can also be intended for those who are planning to buy a DSLR Camera especially beginners.
DSLR camera, and any model brand, intended as a professional camera that is able to provide the performance and quality of the images is high. This type of camera is for photographers who understand the basic photography, and when used correctly it will give satisfactory results. Compared with the usual pocket camera, the camera DSLR have advantages in terms of performance such as high-speed shooting, SHUTTER a short lag, the accuracy of the measurements in the light (metering) and manual setting available abundant. In each camera DSLR there is a similarity in their own standards to distinguish them from ordinary pocket camera, such as:
Has a large sensor Has Module an accurate to auto focus The viewfinder image obtained directly from the lens Wear SHUTTER mechanical There is a mirror that can be up and down while taking
When the first DSLR camera will find it to be a difficult time. First is to measure the ability of self, both in terms of funds and ability. For beginners who already understand basic photography and has a number of funds, to begin considering DSLR entry level (beginner). For professionals who will make a DSLR camera as a means of looking for money camera requires a more sophisticated and able to support the needs of users. DSLR cameras are generally used in professional photo studios that are combined with other devices such as flash with the cable system. The camera is also used professional journalists who require high-speed, or the ability of resistance against various extreme weather conditions. Therefore, the first set in a position where we will have to purchase a DSLR camera.
Basically, select the camera is a retired art and experience, in which decisions will be to provide satisfaction and a mistake in choosing to make possible upset and regret. But in the case chose DSLR camera for beginners, a person deemed to have enough to understand the basic photography, so that at least able to identify the advantages and limitations of each option available. This is the advice that I can submit:
1. No camera is the better than other. Each DSLR camera, though for beginners, is designed to be used as a serious camera equipped with an advanced feature. Irrespective of brand, standard specifications of the camera DSLR beginners generally the same.
2. The key is the professional photography of the lens. DSLR camera is a determination on the photographs, but the quality and the impression of a professional image obtained from the type of lens attached. It is more difficult (and more expensive) lenses explore favorite rather than the camera body DSLR. The camera often used the reduced value of selling the return, while the lenses tend to be durable and can be withdrawn investment.
3. In selecting DSLR first recognize the features and specification, return to our needs, whether it needs to features and specifications offered. Do not until you pay more for features that are not needed.
4. Do not expect the extra features and high specifications on the camera DSLR beginners. Determine the quality of the price. Sorry to say, but this should be recognized that even though there may not concur. When want the best quality of a DSLR camera, which the specifications and features that it has is that one class, the price should be paid much higher than the beginner DSLR features are standard and specification.
Now try to answer the questions which later this will be your own will be able to decide where the camera of your choice:
1. Do you prefer a DSLR camera with a CCD sensor (Nikon, Pentax) or CMOS (Canon)?
2. Do you need a resolution sensor up to 10 megapixel (Canon)?
3. Do you need a stabilizer in the body (Pentax) or in the lens (Nikon, Canon)?
4. Would you like to see more on the status of a small LCD screen to the top of the camera (Pentax) or does not object to the view all the information on the main LCD screen (Nikon, Canon)?
5. Where's the third best have economize, the size of the handgrip looks comfortable, the layout of the buttons that neat and logical, and the body material (plastic) that feel strong?
6. Do you object to the lack of motor auto focus on the body (Nikon)? 7. How many point auto focus that you need? Only three are enough (Nikon), nine-point (Canon) or up to eleven point (Pentax)?
8. Do you object to the lack of spot metering options (Canon)?
9. Do you object to the lack of options bracketing (Nikon)?
10.Do you need is a flash sync up to 1 / 500 seconds (Nikon)?
11.Do you like lithium battery (Nikon, Canon) or alkaline (Pentax)?
At least, we need to understand, identify the advantages and limitations of the existing camera, and take into account other factors (such as after-sales, convenience / availability of the lens options and accessories), then select the ideal DSLR no longer be difficult. Choose the one you like, attach the lens, and start taking.
Get Cheap DSLR Camera, visit to www.digslrcamera.com
About the Author
www.digslrcamera.com
Thursday, January 29, 2009
Child Photography
Child Photography by Andi
The reason that children make such great subjects in photography is that they rarely look the same from one photo opportunity to the next. They grow up so quick.
The goal for most child photography is to capture the blissfulness and innocence of youth, to take the child's pure character and freeze it in time. This allows parents to preserve these wonderful traits forever.
The problem is that professional formal photography does not usually capture the true character of the child. Usually the child is posed in an artificial setting and told to look at a point just to the side of the camera and say cheese.
These kinds of pictures are taken at schools, and studios. Photographers make a good living taking these kinds of pictures because the same shot is easy to reproduce with different children.
While these produce good pictures, they do not really reflect anything about the child.
The tips below show how to take photos that will truly portray a child's character.
1. Use Candid Photography at a Distance - Candid photography focuses on the spontaneity of an event or subject rather than a staged setting. This technique requires the photographer be prepared to take a shot when the scene presents itself instead of setting up the scene.
Incorporate a telephoto lens in with candid photography so you can be far enough away to not be noticed.
The idea is to have the child act and play natural. Being far enough away will ensure that the child does not react to the camera.
2. Fill the Viewfinder - The child should be prominent in the photograph, not just part of it. The more of the landscape that is allowed to be in the shot, the more distractions there will be. The viewer should not be left guessing what the subject of the photo is, so use the viewfinder to crop out as many distractions as possible.
Head and shoulders shots ensure that the child will dominate the shot. Since most of a child's character is shown in his or her face, a head and shoulders shot will also ensure that more of the child's character shines through.
3. Child Action Photography - Children are happiest when they are playing, but they are also pretty fast. Being able to take good action shots is essential, or all you will wind up with is blur.
If your camera does not have an auto setting for action shots, 1/400 is usually a good shutter speed for general playing. If setting the exposure manually, be sure to also adjust the aperture and ISO settings to get the correct exposure. Take a few practice shots before the action starts.
4. Don't be a Stranger - Parents always teach their children not to go near strangers. Sometimes this can cause problems if you are asked or hired to photograph someone else's child.
When this happens, introduce yourself. Also let the child see your photography equipment and explain what it used for. Spend some time talking with the child's parents in a relaxed setting so the child sees that they are familiar with you.
These actions should make you appear less like a stranger and help the child feel more comfortable around you.
About the Author
Andi http://goandigo.blogspot.com share your skills with me
The reason that children make such great subjects in photography is that they rarely look the same from one photo opportunity to the next. They grow up so quick.
The goal for most child photography is to capture the blissfulness and innocence of youth, to take the child's pure character and freeze it in time. This allows parents to preserve these wonderful traits forever.
The problem is that professional formal photography does not usually capture the true character of the child. Usually the child is posed in an artificial setting and told to look at a point just to the side of the camera and say cheese.
These kinds of pictures are taken at schools, and studios. Photographers make a good living taking these kinds of pictures because the same shot is easy to reproduce with different children.
While these produce good pictures, they do not really reflect anything about the child.
The tips below show how to take photos that will truly portray a child's character.
1. Use Candid Photography at a Distance - Candid photography focuses on the spontaneity of an event or subject rather than a staged setting. This technique requires the photographer be prepared to take a shot when the scene presents itself instead of setting up the scene.
Incorporate a telephoto lens in with candid photography so you can be far enough away to not be noticed.
The idea is to have the child act and play natural. Being far enough away will ensure that the child does not react to the camera.
2. Fill the Viewfinder - The child should be prominent in the photograph, not just part of it. The more of the landscape that is allowed to be in the shot, the more distractions there will be. The viewer should not be left guessing what the subject of the photo is, so use the viewfinder to crop out as many distractions as possible.
Head and shoulders shots ensure that the child will dominate the shot. Since most of a child's character is shown in his or her face, a head and shoulders shot will also ensure that more of the child's character shines through.
3. Child Action Photography - Children are happiest when they are playing, but they are also pretty fast. Being able to take good action shots is essential, or all you will wind up with is blur.
If your camera does not have an auto setting for action shots, 1/400 is usually a good shutter speed for general playing. If setting the exposure manually, be sure to also adjust the aperture and ISO settings to get the correct exposure. Take a few practice shots before the action starts.
4. Don't be a Stranger - Parents always teach their children not to go near strangers. Sometimes this can cause problems if you are asked or hired to photograph someone else's child.
When this happens, introduce yourself. Also let the child see your photography equipment and explain what it used for. Spend some time talking with the child's parents in a relaxed setting so the child sees that they are familiar with you.
These actions should make you appear less like a stranger and help the child feel more comfortable around you.
About the Author
Andi http://goandigo.blogspot.com share your skills with me
Seven Tips to Spark Up Your Next Paper Craft Project
Seven Tips to Spark Up Your Next Paper Craft Project by Dr. Paper
Are you planning to make custom note cards, a photo scrapbook, personalized stationary, gift tags, wrapping paper and other paper projects? Are you are looking for an inspiration for a new project? Or maybe you have one that's just not quite finished and needs just the right touch? Well, here are seven ideas to make an ordinary project an extraordinary one. For more papery inspirations check out Stationary Nation.
Stamps. Who doesn't like postage stamps? Since real stamps depict famous people, you can compliment someone by putting their face on a stamp. Start with say a photo and put it inside a perforated border. Then add a number and a symbol for cents, pounds, yen to your graphic or make up a fictitious country with a curious symbol for their monitary unit. Finish it off with a drop shadow that shows off the perforation. Search google images for stamps to print out as a starting point.
Posterize it. This is a great technique that often gives very dramatic results. To posterize something means to reduce the color palette. So instead of a photo that might have hundreds of colors in suble gradients, a posterized image only has a few colors. Digital software often has a posterize option, where you can reduce an image down to 2, 3, 4 or more colors. This is a great effect for faces, like the iconic Che Guevara picture, or Andy Warhol's Marilyn Monroe art. If you don't have software for posterizing, you can do it by hand easily enough. Just start out with a photo that has a lot of contrast, that is clear highlights and shadows. Cover the highlights completely in white paint and the shadows completely in black paint; that's what it means to take a photo and posterize it.
Droplets are a nice effect. They can give a nice organic shape to frame a piece as an alternative to a rectangular matte. Or merging droplets can represent unity, rapprochement, or the meeting of two minds. You can use photo manipulation software to get these effects, or just use a straw filled with food coloring to make the droplets.
Bubbles, bubble, bubbles. It's fun to say and they are fun to use. They can drift off from the main design in a fizzy fun way. Or consider using dialogue bubbles, you know the kinds you see in cartoons, instead of boring old regular below-the-picture captions.
Organic spirals add a nice touch. They are easy to make in photoshop, corel photopaint or your favorite digital paintbrush program. Just start out with a random picture from the internet. Cut it into a narrow strip, then use the swirl, twirl, ripple, wave, punch, pinch, bug eye options in your software program. There are great examples of swirls done with computer software at new skool and radial tattoos. A nice effect is to duplicate the resulting image, and then paste it as a mirror image, perhaps with a gradient fade. Don't have a computer program? Then use a sumi-e brush to swirl around ink.
Symbol substitution for a letter in words. You've seen these, such as 7even for seven, number3 for numbers, or Do !t for Do It. Or instead of an alphanumeric symbol, a graphic symbol can make a creative statement. A lightening bolt in the shape of a z for Zap.
Shadows. A drop-shadow can make a graphic stand out. If your graphics software doesn't have the option, it's simple enough to simulate one. Just copy the object, convert it to grayscale, blur it and lighten it. Then place your original object on top of the copy, offset by several pixels. Viola a dropped shadow. Or you can hand make a drop shadow with construction paper. Start with the object you want to give a shadow to, let's say an award ribbon. Trace the shape of the ribbon on gray construction paper, then rough up the edges to simulate a shadows edges. Now place the ribbon on top of the construction paper offsetting it a bit to give the shadow effect.
About the Author
Dr. Paper adores the fine tooth of hand pressed cotton paper.
Are you planning to make custom note cards, a photo scrapbook, personalized stationary, gift tags, wrapping paper and other paper projects? Are you are looking for an inspiration for a new project? Or maybe you have one that's just not quite finished and needs just the right touch? Well, here are seven ideas to make an ordinary project an extraordinary one. For more papery inspirations check out Stationary Nation.
Stamps. Who doesn't like postage stamps? Since real stamps depict famous people, you can compliment someone by putting their face on a stamp. Start with say a photo and put it inside a perforated border. Then add a number and a symbol for cents, pounds, yen to your graphic or make up a fictitious country with a curious symbol for their monitary unit. Finish it off with a drop shadow that shows off the perforation. Search google images for stamps to print out as a starting point.
Posterize it. This is a great technique that often gives very dramatic results. To posterize something means to reduce the color palette. So instead of a photo that might have hundreds of colors in suble gradients, a posterized image only has a few colors. Digital software often has a posterize option, where you can reduce an image down to 2, 3, 4 or more colors. This is a great effect for faces, like the iconic Che Guevara picture, or Andy Warhol's Marilyn Monroe art. If you don't have software for posterizing, you can do it by hand easily enough. Just start out with a photo that has a lot of contrast, that is clear highlights and shadows. Cover the highlights completely in white paint and the shadows completely in black paint; that's what it means to take a photo and posterize it.
Droplets are a nice effect. They can give a nice organic shape to frame a piece as an alternative to a rectangular matte. Or merging droplets can represent unity, rapprochement, or the meeting of two minds. You can use photo manipulation software to get these effects, or just use a straw filled with food coloring to make the droplets.
Bubbles, bubble, bubbles. It's fun to say and they are fun to use. They can drift off from the main design in a fizzy fun way. Or consider using dialogue bubbles, you know the kinds you see in cartoons, instead of boring old regular below-the-picture captions.
Organic spirals add a nice touch. They are easy to make in photoshop, corel photopaint or your favorite digital paintbrush program. Just start out with a random picture from the internet. Cut it into a narrow strip, then use the swirl, twirl, ripple, wave, punch, pinch, bug eye options in your software program. There are great examples of swirls done with computer software at new skool and radial tattoos. A nice effect is to duplicate the resulting image, and then paste it as a mirror image, perhaps with a gradient fade. Don't have a computer program? Then use a sumi-e brush to swirl around ink.
Symbol substitution for a letter in words. You've seen these, such as 7even for seven, number3 for numbers, or Do !t for Do It. Or instead of an alphanumeric symbol, a graphic symbol can make a creative statement. A lightening bolt in the shape of a z for Zap.
Shadows. A drop-shadow can make a graphic stand out. If your graphics software doesn't have the option, it's simple enough to simulate one. Just copy the object, convert it to grayscale, blur it and lighten it. Then place your original object on top of the copy, offset by several pixels. Viola a dropped shadow. Or you can hand make a drop shadow with construction paper. Start with the object you want to give a shadow to, let's say an award ribbon. Trace the shape of the ribbon on gray construction paper, then rough up the edges to simulate a shadows edges. Now place the ribbon on top of the construction paper offsetting it a bit to give the shadow effect.
About the Author
Dr. Paper adores the fine tooth of hand pressed cotton paper.
Wednesday, January 28, 2009
Tips For Taking Picture During Travel
Tips For Taking Picture During Travel By Michael Poh Wai Wong
Travelling is fun and enjoyable. You will see new places and events that you never experience before. Isn't that worth capturing on photo? This kind of memory is priceless when you look at them in the future.
So, here are some tips to share with you about travel photography
1. Know your destination
When you are going for a trip, you ought to check the weather at your destination. Plan ahead what you need to bring and how much space you have for your digital camera.
It is nice that you are going somewhere sunny and bright. Then you will have plenty of space for your camera instead of stuffing your luggage with the equipments. When you plan to take picture at the beach, see that you will bring protective gears to protect your camera because sand can ruin your camera and lens.
2. The gears
Since you already know where you are going, you will have the idea of what you are going to photograph. Let's say that you are on a hiking trip, what you will see is mostly scenery. So, probably you can leave your telephoto lens and pack the wide angle lens for your trip. However, when you are on a trip to Africa, where wild life is your subject, probably you will need that telephoto lens so you can stay away from the lions when you are taking their pictures.
Besides that, have you thought of using a compact digital camera instead of the DSLR? Some point and shoot cameras are build with wide angle lens and high optical zoom. If you are unsatisfied with the pictures, you can always edit them with editing software when you are back from your trip.
3. The right accessories
Now, when you are taking picture during your travel, you will have hard choices of what to keep and what not. Most of the time, you will take a few pictures on the same subject. So, probably you will want to bring more memory cards or a bigger capacity storage media.
Have you ever thought of storage online? Now you can keep your images online and a lot of these services are free. When you need more space, you can always upgrade your account. In this way, you will solve the frustration of giving up any pictures.
Do you enjoy taking photos? Do you want more digital photography tips and techniques? Just look at
=> http://www.learn-digitalphotography.blogspot.com
Michael Wong is happy to share his knowledge about digital photography with you and hope you enjoy them.
Article Source: http://EzineArticles.com/?expert=Michael_Poh_Wai_Wong
Travelling is fun and enjoyable. You will see new places and events that you never experience before. Isn't that worth capturing on photo? This kind of memory is priceless when you look at them in the future.
So, here are some tips to share with you about travel photography
1. Know your destination
When you are going for a trip, you ought to check the weather at your destination. Plan ahead what you need to bring and how much space you have for your digital camera.
It is nice that you are going somewhere sunny and bright. Then you will have plenty of space for your camera instead of stuffing your luggage with the equipments. When you plan to take picture at the beach, see that you will bring protective gears to protect your camera because sand can ruin your camera and lens.
2. The gears
Since you already know where you are going, you will have the idea of what you are going to photograph. Let's say that you are on a hiking trip, what you will see is mostly scenery. So, probably you can leave your telephoto lens and pack the wide angle lens for your trip. However, when you are on a trip to Africa, where wild life is your subject, probably you will need that telephoto lens so you can stay away from the lions when you are taking their pictures.
Besides that, have you thought of using a compact digital camera instead of the DSLR? Some point and shoot cameras are build with wide angle lens and high optical zoom. If you are unsatisfied with the pictures, you can always edit them with editing software when you are back from your trip.
3. The right accessories
Now, when you are taking picture during your travel, you will have hard choices of what to keep and what not. Most of the time, you will take a few pictures on the same subject. So, probably you will want to bring more memory cards or a bigger capacity storage media.
Have you ever thought of storage online? Now you can keep your images online and a lot of these services are free. When you need more space, you can always upgrade your account. In this way, you will solve the frustration of giving up any pictures.
Do you enjoy taking photos? Do you want more digital photography tips and techniques? Just look at
=> http://www.learn-digitalphotography.blogspot.com
Michael Wong is happy to share his knowledge about digital photography with you and hope you enjoy them.
Article Source: http://EzineArticles.com/?expert=Michael_Poh_Wai_Wong
Polaroid Digital Cameras
Polaroid Digital Cameras By Chris Campbell
Both the manufacturer and the buyers were overwhelmed lately by problems they had with digital cameras from Polaroid. An example is the Polaroid a520M which they shouldn't have released at all if they knew what was going to follow. If you didn't use the flash when you took photos you had a good chance of getting them underexposed. And if you did use the flash, you would get them overexposed. Either way, the photos didn't come out well. You also couldn't see the viewing screen well if the room didn't have good light. When you put the focus on the subject, the background was not focused. And this is only a small part of the issues that come with this particular digital camera. Some positives did exist with this camera, but not really enough to justify keeping it in production.
Another problem that Polaroid had was with the x530 digital camera. This model was made by a company from Hong Kong, using the name of Polaroid. The result was a low quality digital camera that took horrible photos. This was noticed really fast by the buyers and the reviews weren't pretty. While it's not easy to make digital cameras, if you don't make them by using the latest technology, the end result will be bad reviews and customers that are annoyed. The Polaroid x530 was another of their digital cameras that was withdrawn from the stores. If you bought this camera, then you got a full refund. After this model, Polaroid launched a new model, called PDC-3000. It was another failure, looking awkward and giving poor looking photos.
When you want to buy a digital camera in today's market, you should compare a lot of cameras, see their specifications and reviews, and find out which one is the better fit for you. Yes, certain manufacturers have a great reputation and almost all of their cameras are great. The key word here is "almost all". Everyone launches a weak model once in a while, so looking for reviews is a must if you want to buy a new digital camera.
In the case of Polaroid, its digital cameras have a long history of problems. We did mention a few of the models with issues from this company, and most of all have already been retired from all the stores. It doesn't mean they don't have other cameras that don't suit you on the shelves, so reading reviews about each model you consider buying is a must. Make a list of things your camera should have and compare the available digital cameras.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
Both the manufacturer and the buyers were overwhelmed lately by problems they had with digital cameras from Polaroid. An example is the Polaroid a520M which they shouldn't have released at all if they knew what was going to follow. If you didn't use the flash when you took photos you had a good chance of getting them underexposed. And if you did use the flash, you would get them overexposed. Either way, the photos didn't come out well. You also couldn't see the viewing screen well if the room didn't have good light. When you put the focus on the subject, the background was not focused. And this is only a small part of the issues that come with this particular digital camera. Some positives did exist with this camera, but not really enough to justify keeping it in production.
Another problem that Polaroid had was with the x530 digital camera. This model was made by a company from Hong Kong, using the name of Polaroid. The result was a low quality digital camera that took horrible photos. This was noticed really fast by the buyers and the reviews weren't pretty. While it's not easy to make digital cameras, if you don't make them by using the latest technology, the end result will be bad reviews and customers that are annoyed. The Polaroid x530 was another of their digital cameras that was withdrawn from the stores. If you bought this camera, then you got a full refund. After this model, Polaroid launched a new model, called PDC-3000. It was another failure, looking awkward and giving poor looking photos.
When you want to buy a digital camera in today's market, you should compare a lot of cameras, see their specifications and reviews, and find out which one is the better fit for you. Yes, certain manufacturers have a great reputation and almost all of their cameras are great. The key word here is "almost all". Everyone launches a weak model once in a while, so looking for reviews is a must if you want to buy a new digital camera.
In the case of Polaroid, its digital cameras have a long history of problems. We did mention a few of the models with issues from this company, and most of all have already been retired from all the stores. It doesn't mean they don't have other cameras that don't suit you on the shelves, so reading reviews about each model you consider buying is a must. Make a list of things your camera should have and compare the available digital cameras.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
Sunday, January 25, 2009
Tips On Digital Photography at Time of the Day or Any Kind Of Weather
Tips On Digital Photography at Time of the Day or Any Kind Of Weather by Alex Don
If you are adventurous photographer, nothing even bad weather prevent you taking rare digital photos. During bad weather very few people opt to go out and take pictures, but important to know the photos taken under bad weather may have an artistic value and also, will be most appealing to a professional photographer. For example, most of these photos can really be rare and creative weather photos such as capturing a rainy afternoon or lightening thunder storms, or snow. Less people take such images means these are rare and are in great demand. These kind of photo expeditions are ideal for a creative and a daring type photographers who is looking for excitement. Visit www.reshade.com for more information on how to take pictures in any kind of weather.
1.Taking Pictures In Rainy Weather
When raining, every thing around you will tend to shine. In essence, irrespective where you take photos, during rain every thing around you give added glitter. Using your Digital camera, you are certain to create nice and rare pictures when shooting in rainy weather. One may doubt that inadequate light conditions will result in dark unexciting pictures. It is not so, because the rain condition with a few large size clouds can allow the ideal natural light setting without shadows for your photo.
Similarly, photographing landscapes with slight rainy condition and with few wildlife in it, will certainly create dramatic sceneries or photographs. These types settings come your way by luck, this means you have to be at the right place at the right time above all your alertness. When going out for shooting under rainy weather, please make sure to protect your expensive camera or the lens by covering to keep rain droplets landing on the lens.
2.Taking Photos Under Lightening
When taking photo under lightning, you need to be quick to capture the right moment. In other words, shooting lightening effects is not easy because it happens spontaneously., you need to capture it at the right time which is very uncertain. This means you have to be ready or armed with right equipment and settings. For example, you need to have a tripod and the shutter speed to be set very low. Alternatively, your can operate the shutter manually, and close it as the lighting appears on the sky or bolted down to the earth. More brighter this type of photos more exciting it will be.
3.Taking Snow Photography
Snow photography has been popular among creative photographers. The snow creates a very soothing contrast with it's surroundings. When you take photos, snow as a background or snow melting off the tree branches will give you very beautiful images. Some nice nature shots or friends and family playing in the snow, or you could even get a nice portrait type picture with snow all around. You have the flexibility to try out different things in digital photography, even things that out of the ordinary. Make sure you have all the right gear and the drive to get out there and take risks is all you need, no matter what mother nature has in mind for that occasion.
About the Author
Alex is a professional photographer for http://reshade.com . Reshade targets online photo enlargement applications and offers a free to use online image resizer tool. Additionally it provides an image resizer software program . Try it out now!
If you are adventurous photographer, nothing even bad weather prevent you taking rare digital photos. During bad weather very few people opt to go out and take pictures, but important to know the photos taken under bad weather may have an artistic value and also, will be most appealing to a professional photographer. For example, most of these photos can really be rare and creative weather photos such as capturing a rainy afternoon or lightening thunder storms, or snow. Less people take such images means these are rare and are in great demand. These kind of photo expeditions are ideal for a creative and a daring type photographers who is looking for excitement. Visit www.reshade.com for more information on how to take pictures in any kind of weather.
1.Taking Pictures In Rainy Weather
When raining, every thing around you will tend to shine. In essence, irrespective where you take photos, during rain every thing around you give added glitter. Using your Digital camera, you are certain to create nice and rare pictures when shooting in rainy weather. One may doubt that inadequate light conditions will result in dark unexciting pictures. It is not so, because the rain condition with a few large size clouds can allow the ideal natural light setting without shadows for your photo.
Similarly, photographing landscapes with slight rainy condition and with few wildlife in it, will certainly create dramatic sceneries or photographs. These types settings come your way by luck, this means you have to be at the right place at the right time above all your alertness. When going out for shooting under rainy weather, please make sure to protect your expensive camera or the lens by covering to keep rain droplets landing on the lens.
2.Taking Photos Under Lightening
When taking photo under lightning, you need to be quick to capture the right moment. In other words, shooting lightening effects is not easy because it happens spontaneously., you need to capture it at the right time which is very uncertain. This means you have to be ready or armed with right equipment and settings. For example, you need to have a tripod and the shutter speed to be set very low. Alternatively, your can operate the shutter manually, and close it as the lighting appears on the sky or bolted down to the earth. More brighter this type of photos more exciting it will be.
3.Taking Snow Photography
Snow photography has been popular among creative photographers. The snow creates a very soothing contrast with it's surroundings. When you take photos, snow as a background or snow melting off the tree branches will give you very beautiful images. Some nice nature shots or friends and family playing in the snow, or you could even get a nice portrait type picture with snow all around. You have the flexibility to try out different things in digital photography, even things that out of the ordinary. Make sure you have all the right gear and the drive to get out there and take risks is all you need, no matter what mother nature has in mind for that occasion.
About the Author
Alex is a professional photographer for http://reshade.com . Reshade targets online photo enlargement applications and offers a free to use online image resizer tool. Additionally it provides an image resizer software program . Try it out now!
Insider Guide To Taking Great Vacation Photos
Insider Guide To Taking Great Vacation Photos by Victoria Franzese
Photos make great souvenirs; here are our insider tips for how to make your vacation photos the best they can be.
-Take lots of photos. Remember that it is often quantity that helps the pros achieve their quality -- they might take hundreds of photos in a single session to find that perfect shot. For most of us, the easiest and most cost effective way to do this is with a digital camera. Don't forget to erase the images with closed eyes and cut-off heads so you'll have more room in your camera's memory for the good ones and won't have to download as often.
-Learn all about your camera. Yes, we recommend that you read the manual. Sound boring? Maybe, but knowing all your camera's capabilities will help you choose the settings that are most appropriate to your situation. And you might pick up some extra tips, like dating your photos, that will come in handy.
-Time it right. Outdoor lighting is perfect during what professionals call the "magic hours" -- right after dawn and just before sunset. For most people, there is more magic in the latter, but if you are traveling through time zones that make early mornings feasible (say from New York to Hawaii), you might also find that the peace and quiet inherent to this time of day makes framing the perfect shot easier. Noon is the worst time to take photos because the sunlight is too harsh (and is also likely to make your travel companions squint -- and who wants that in their photos?).
-Light it right. The sun or indoor light source should always be behind you (the photographer), illuminating your subjects so they don't appear in silhouette. Worried that there isn't enough sun? Remember that on overcast days, the light is softer so there are no harsh shadows on the faces of your subjects.
-Set up your shot. Take a moment before you snap each photo to examine exactly what is in the frame. These tips will help you set up shot:
-Think of triangles. As you compose your shot, try to include subjects on three different levels. For example, if you are photographing three people, have one person standing, the second sitting, and the third person kneeling down in front. These different heights make the composition more interesting than lining people up in a row.
-Keep things in proportion. If you are using a wide-angle lens, you may find that whatever is closest to you as you snap the photo appears exaggerated and out of proportion. You can escape this problem by stepping back a few feet and then zooming in.
-Fill the frame with your subject instead of leaving lots of empty space around it. If you need to, move closer or zoom in.
-Experiment with different angles. Try approaching your subject from different directions and holding the camera both vertically and horizontally.
-Take a second look. Is that a tree branch or lamp post sprouting from someone's head? Check what you see in the frame one more time, to make sure the shot is set up the way you want it.
-Good moods lead to good pictures. This shouldn't be hard -- you're on vacation after all! Professional photographers are always thinking about ways to add energy, interaction and movement into their photos and you should, too, remembering that laughter evokes all three of these special qualities.
-Look your best. Whether you're in the photo yourself, or taking photos of the friends and family with whom you are vacationing, following these tips to make sure everyone looks as wonderful as they really are:
-Minimize a wrinkly or shiny face. Airplane trips can be very dehydrating, so use extra moisturizer to keep skin looking radiant, since the camera can make sallowness and wrinkles appear more pronounced. Of course you don't want a shiny face either -- so use foundation and translucent powder when necessary. And be sure to extend foundation to the neck and decolletage since differences in skin tone will be more pronounced on camera.
-Maximize available light. Set up your shot to get as much light on the face as possible.Indoors, pose your subject close to the window or other light source. And indoors and out, always use the flash -- the light will illuminate the skin and conceal imperfections. The exception is for photos taken on a white sand beach or out in the snow -- the reflective qualities of the scenery itself will help light up your subject's face.
-Act natural. To keep your subjects from looking too posed and rigid, keep up a natural conversation as you set up the shot, have them sit on or lean against something, and have them hold onto something -- even just their sunglasses or hat -- to ensure that their hands aren't straight down by their sides.
-Banish double chins. Avoid the dreaded double chin by ensuring that the camera is at or slightly above the subject's eye level. Shorter photographers can achieve this by having their subjects sit down and look up toward the camera, or by having their subjects bend their knees slightly. (And now you know why fashion photographers so often use step ladders!)
-Don't blink. Closed eyes can be a problem for everyone (we all have to blink from time to time), but it seems to be most pronounced in group photos when just one person with eyes closed requires another shot. So tell everyone to shut their eyes and count to three. On the count of three, say something funny or unexpected so that everyone will open their eyes and laugh, and you'll snap the perfect picture.
-Turn, turn, turn. By directing your subject to turn his or her head slightly and look over your shoulder rather than directly into the camera lens, you'll avoid both the "deer-in-the-headlights" look and help your subject look slimmer, since in the resulting photo, the viewer's eye will be drawn up and down rather than from side to side (if it is a full-body shot, encourage the subject to turn his or her whole body for the same reason).
-Get rid of red-eye. No one likes the appearance of being possessed. Since red-eye occurs when the pupils have opened up in response to dim light (which allows the flash to light up all the eyes' red blood vessels), you can avoid it by having your subjects look at a bright light just before the photo is taken. Note that this is essentially what the anti-red-eye feature on some cameras does.
Of course taking wonderful photographs during your vacation is one thing. Finding a way to enjoy the fruits of your labors once you get back home is quite another. Sure you can print them out and create a photo album the old fashioned way. But now, thanks to the wonders of the web, there are more (and better) options:
-We love online photo sites like Shutterfly.com, which help you organize, print out, and share your photos. And right now, Shutterfly is offering special enticements to get you to use their site. So we encourage you to check out Shutterfly - you'll get 50 free prints and a free Collage Poster to get started. Plus, you'll enjoy free photo share and unlimited photo storage!
-Or try animoto.com, which allows you to upload photos and a song to create a free 30-second video. All your friends, colleagues and relatives who would grown at the thought of paging through an album or slide show will be delighted with your cleverness (and brevity).
-Picasa.com, which lets you add photos onto a google earth map, is another good option. An annotated map that your pals can view online (or via email) at their leisure (and, again, for a brief time) is a great way to share the details of your trip in a friendly, rather than imposing, way.
About the Author
I am an editor at TheInsiderTravelGuides.com, which covers Bermuda, Boston, Hawaii, New York, Philadelphia and San Francisco, providing an insider's view on what to see and where to go. Our blog updates you with regular tips about how to save money getting to and enjoying your destination, how to survive the hassles of traveling, what "hidden treasures" you might have overlooked as you planned your trip, and what is on the upcoming calendar.
Saturday, January 24, 2009
Having Fun With Food Photography
Having Fun With Food Photography By Michael Poh Wai Wong
Imagine that you are looking at picture of a scrumptious pork fillet, mouth watering steak and a glass of iced cold grape juice. How do you feel? Hungry?
That is what successful food photographers can do. They can trigger your hunger by just looking at their pictures. Isn't it amazing when you can do the same? Let's start by looking at the tips below:
1. Lighting
Lighting is very important in food photography. When you have the right lighting, it will seem like the dish is asking the viewers to feast on it. So, it is very important that you look at the surrounding and experiment your picture with as much natural light as possible.
There will be time that the surrounding light can't really illuminate the dish. When that happens, you will want to consider using a flash. Then, you need to control the intensity of the flash. Remember that you want to highlight the essence of the dish and get your viewers hungry instead of disgust them with an all brighten up dish.
2. Presentation
Imagine a plate of pork chop with its broccoli scattered around and the sauce flooding the plate. Do you still have the intention to dig into it? Most likely you will wonder how a chef can present that for dining.
So, take your time to arrange your dish. It must be visually attracting before someone will actually have the desire to eat it. When you are photographing a burger, you will want to get the stuffing out of the bun and that is how the fast food chains advertise and get you to visit them.
And when you are photographing a dish, experiment your picture with and without the cutlery. How does that feel? Sometime, the cutlery will enhance your picture and sometime not.
3. Out of focus
Creating shallow depth of field on your dish will keep your food in focus while the background blurred. Your viewers will automatically pay attention to the food and it would trigger their urge to eat.
However, the compact digital cameras in the market now are unable to adjust the depth of field. It is true that you can create the effect with photo editing software later. Still, the picture will not look as natural as when you are using a DSLR camera to capture the picture.
As much fun as talking about food photography, you will start to feel hungry. Unfortunately, that is the side effect of looking into this interesting topic.
Do you enjoy taking photos? Do you want more digital photography tips and techniques? Just visit
=> http://www.learn-digitalphotography.blogspot.com
Michael Wong is happy to share his knowledge about digital photography with you and hope you enjoy them.
Article Source: http://EzineArticles.com/?expert=Michael_Poh_Wai_Wong
Imagine that you are looking at picture of a scrumptious pork fillet, mouth watering steak and a glass of iced cold grape juice. How do you feel? Hungry?
That is what successful food photographers can do. They can trigger your hunger by just looking at their pictures. Isn't it amazing when you can do the same? Let's start by looking at the tips below:
1. Lighting
Lighting is very important in food photography. When you have the right lighting, it will seem like the dish is asking the viewers to feast on it. So, it is very important that you look at the surrounding and experiment your picture with as much natural light as possible.
There will be time that the surrounding light can't really illuminate the dish. When that happens, you will want to consider using a flash. Then, you need to control the intensity of the flash. Remember that you want to highlight the essence of the dish and get your viewers hungry instead of disgust them with an all brighten up dish.
2. Presentation
Imagine a plate of pork chop with its broccoli scattered around and the sauce flooding the plate. Do you still have the intention to dig into it? Most likely you will wonder how a chef can present that for dining.
So, take your time to arrange your dish. It must be visually attracting before someone will actually have the desire to eat it. When you are photographing a burger, you will want to get the stuffing out of the bun and that is how the fast food chains advertise and get you to visit them.
And when you are photographing a dish, experiment your picture with and without the cutlery. How does that feel? Sometime, the cutlery will enhance your picture and sometime not.
3. Out of focus
Creating shallow depth of field on your dish will keep your food in focus while the background blurred. Your viewers will automatically pay attention to the food and it would trigger their urge to eat.
However, the compact digital cameras in the market now are unable to adjust the depth of field. It is true that you can create the effect with photo editing software later. Still, the picture will not look as natural as when you are using a DSLR camera to capture the picture.
As much fun as talking about food photography, you will start to feel hungry. Unfortunately, that is the side effect of looking into this interesting topic.
Do you enjoy taking photos? Do you want more digital photography tips and techniques? Just visit
=> http://www.learn-digitalphotography.blogspot.com
Michael Wong is happy to share his knowledge about digital photography with you and hope you enjoy them.
Article Source: http://EzineArticles.com/?expert=Michael_Poh_Wai_Wong
5 Tips For Sharper Landscape Photos
5 Tips For Sharper Landscape Photos By Brandon Baumgarten
The key to getting the sharper landscape and nature images is to use specific digital photography techniques. Disciplined use of these techniques by photographers leads to technically better photos.
1. Use a sturdy tripod - Camera movement is a common culprit of soft photos. Using a sturdy tripod will usually alleviate the problem, and also allow you to compose your image with precision. The use of a tripod allows the digital photographer to use a slower shutter speed, for a greater depth of field due to the corresponding aperture.
2. Use an appropriate ISO digital camera setting - Selecting the proper ISO setting on your digital camera is also one of the keys to sharper images. A low ISO setting on your digital camera will produce finer grained images, but requires longer shutter speeds and/or a large aperture. A higher ISO on the other hand allows the photographer to utilize a faster shutter speed which can be good for capturing sharp pictures of moving objects, although it sacrifices image noise.
3. Use a fast Shutter Speed - To freeze moving objects such as aspen leaves quaking in the wind or a tumbling waterfall, use the fastest possible shutter speed. Keep in mind however that your depth of field focus will be reduced at faster shutter speeds due to the larger aperture.
4. Use a Small Lens Aperture - By stopping down the camera lens, the image appears sharper by expanding overall depth of field focus. This results in objects both near and far being in good focus.
5. Control Subject movement - Much the same as camera movement, subject movement can be damaging to image sharpness, however sometimes subject movement can be impossible to control. For instance shooting close-up pictures of wildflowers on a windy day can be quite the challenge. The best advice is to restrategize, and go with the flow. Forget the close-up pictures, zoom out, wait for a lull in the breeze and shoot the pretty landscape.
The trick to getting better photos is to find that ideal combination of variables. Always use the lowest possible ISO setting, and for the best depth of field focus select a smaller aperture. For still landscape pictures, use a tripod and slower shutter speed. For moving landscapes, use a faster shutter speed to freeze the motion.
Brandon is a professional Lake Tahoe photographer. In addition to on-location photography in the Tahoe basin Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the local ski slopes. Brandon also has a digital photography website, which in addition to many other topics, compares photography equipment and services online.
Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten
The key to getting the sharper landscape and nature images is to use specific digital photography techniques. Disciplined use of these techniques by photographers leads to technically better photos.
1. Use a sturdy tripod - Camera movement is a common culprit of soft photos. Using a sturdy tripod will usually alleviate the problem, and also allow you to compose your image with precision. The use of a tripod allows the digital photographer to use a slower shutter speed, for a greater depth of field due to the corresponding aperture.
2. Use an appropriate ISO digital camera setting - Selecting the proper ISO setting on your digital camera is also one of the keys to sharper images. A low ISO setting on your digital camera will produce finer grained images, but requires longer shutter speeds and/or a large aperture. A higher ISO on the other hand allows the photographer to utilize a faster shutter speed which can be good for capturing sharp pictures of moving objects, although it sacrifices image noise.
3. Use a fast Shutter Speed - To freeze moving objects such as aspen leaves quaking in the wind or a tumbling waterfall, use the fastest possible shutter speed. Keep in mind however that your depth of field focus will be reduced at faster shutter speeds due to the larger aperture.
4. Use a Small Lens Aperture - By stopping down the camera lens, the image appears sharper by expanding overall depth of field focus. This results in objects both near and far being in good focus.
5. Control Subject movement - Much the same as camera movement, subject movement can be damaging to image sharpness, however sometimes subject movement can be impossible to control. For instance shooting close-up pictures of wildflowers on a windy day can be quite the challenge. The best advice is to restrategize, and go with the flow. Forget the close-up pictures, zoom out, wait for a lull in the breeze and shoot the pretty landscape.
The trick to getting better photos is to find that ideal combination of variables. Always use the lowest possible ISO setting, and for the best depth of field focus select a smaller aperture. For still landscape pictures, use a tripod and slower shutter speed. For moving landscapes, use a faster shutter speed to freeze the motion.
Brandon is a professional Lake Tahoe photographer. In addition to on-location photography in the Tahoe basin Brandon specializes in on-mountain action and portrait photography during the winter months, photographing skiers and snowboarders on the local ski slopes. Brandon also has a digital photography website, which in addition to many other topics, compares photography equipment and services online.
Article Source: http://EzineArticles.com/?expert=Brandon_Baumgarten
Friday, January 23, 2009
How To Take Better Wildlife Photos
How To Take Better Wildlife Photos by Alex Don
When you're just starting up with wildlife photography, composition can be a daily challenge. It gets even more difficult if you're dealing with a moving, uncooperative subject. There's not much to learn on how to deal with such a subject. However, experience will teach you how to be quicker and improve your chances to catch the right moment.
There are a few tips to help you improve your composition in wildlife photography. First of all, photograph the animals in places where they are used to having people around. They don't necessarily have be closed spaces such as a zoo. You can try a picnic ground or camping in a national park, where animals may even come close to look for food. Then you can approach them slow enough not to scare them away. Secondly, prepare your exposure in advance so you won't lose precious time when you're near the animal. If you have constant light, you can position the camera in the right direction and set the shutter speed and aperture. Then all you have to do is focus on the composition.
However, the composition itself is a challenge and many don't know where to start. Let's start by breaking it into two types of photos: close-ups and non close-ups. If you have a close up, the subject fills most of the photo. Many people wonder whether to position it in the center or towards one side. You can place it in the center, just make sure you do leave some space around it or the composition will look cramped.
This option is particularly good if the animal is looking to the camera or just a little to one side. If the subject is facing left or right, consider positioning it to one side of the photo. You can use the direction of its look to decide on which side to place it. If it faces right, place it towards the left side and viceversa. However, don't position it too close to one side or another: you don't want half of your picture to be empty.
Things can get more complicated with non close-up photos. In these cases, it is better to think of the composition as a landscape. You can use the Rule-of-Third, which is a tried-and-true technique, to decide where you position the subject (google it in case you haven't heard about it). For landscape photos, the composition can look quite unbalanced if you position the subject right in the middle. It is best to place it towards one side or the other. Now the direction of the subject's eyes is even more important.
When we look at a photo, we tend to look in the same direction as the subject. So if your subject is facing right and you place it on the left side, people will look towards the center of the photo. Otherwise they will look outside the photo. It would be nice to have something interesting in the center of the picture or towards the opposite side from where you place the subject. It can be just about anything - a beach, a tree, a beautiful sky - as long as it has a strong visual impact. If you can't find anything, you can zoom in so that you don't leave to much empty space.
These small guidelines are aimed to give you some ideas in case you get stuck. However, you should use your own judgement and sense of balance to take the best out of any situation. As long as you can position the subject right, everything else will just fall into place.
About the Author
Alex D. is an expert photographer for http://reshade.com . Reshade targets online picture processing and provides a free online image resizer tool. It's also possible to buy an image resizing application . Give it a try !
When you're just starting up with wildlife photography, composition can be a daily challenge. It gets even more difficult if you're dealing with a moving, uncooperative subject. There's not much to learn on how to deal with such a subject. However, experience will teach you how to be quicker and improve your chances to catch the right moment.
There are a few tips to help you improve your composition in wildlife photography. First of all, photograph the animals in places where they are used to having people around. They don't necessarily have be closed spaces such as a zoo. You can try a picnic ground or camping in a national park, where animals may even come close to look for food. Then you can approach them slow enough not to scare them away. Secondly, prepare your exposure in advance so you won't lose precious time when you're near the animal. If you have constant light, you can position the camera in the right direction and set the shutter speed and aperture. Then all you have to do is focus on the composition.
However, the composition itself is a challenge and many don't know where to start. Let's start by breaking it into two types of photos: close-ups and non close-ups. If you have a close up, the subject fills most of the photo. Many people wonder whether to position it in the center or towards one side. You can place it in the center, just make sure you do leave some space around it or the composition will look cramped.
This option is particularly good if the animal is looking to the camera or just a little to one side. If the subject is facing left or right, consider positioning it to one side of the photo. You can use the direction of its look to decide on which side to place it. If it faces right, place it towards the left side and viceversa. However, don't position it too close to one side or another: you don't want half of your picture to be empty.
Things can get more complicated with non close-up photos. In these cases, it is better to think of the composition as a landscape. You can use the Rule-of-Third, which is a tried-and-true technique, to decide where you position the subject (google it in case you haven't heard about it). For landscape photos, the composition can look quite unbalanced if you position the subject right in the middle. It is best to place it towards one side or the other. Now the direction of the subject's eyes is even more important.
When we look at a photo, we tend to look in the same direction as the subject. So if your subject is facing right and you place it on the left side, people will look towards the center of the photo. Otherwise they will look outside the photo. It would be nice to have something interesting in the center of the picture or towards the opposite side from where you place the subject. It can be just about anything - a beach, a tree, a beautiful sky - as long as it has a strong visual impact. If you can't find anything, you can zoom in so that you don't leave to much empty space.
These small guidelines are aimed to give you some ideas in case you get stuck. However, you should use your own judgement and sense of balance to take the best out of any situation. As long as you can position the subject right, everything else will just fall into place.
About the Author
Alex D. is an expert photographer for http://reshade.com . Reshade targets online picture processing and provides a free online image resizer tool. It's also possible to buy an image resizing application . Give it a try !
The Secret Of Motion Effects in Image Editing
The Secret Of Motion Effects in Image Editing by Alex Don
The zoom effect refers to the photographic technique in each you take the photo in such a way that it seems the subject is coming towards you or moving away from you. The movement is simulated by some motion-like lines. This technique is also called 'racking the lens'. This effect can also be created after the photo is done in programs like Photoshop (where it is called 'radial blur'). This article will refer to the creation of a motion effect while shooting.
There are three steps you should follow if you want to achieve this effect: Step 1: Set the shutter to a longer exposure. Step 2: Compose the picture, focus and then shoot. Step 3: Zoom the lens in and out in between the times when the shutter opens and when it closes.
This may not work from the beginning, but you'll get it right with a lot of practice, and that's the fun part about photography. Here are a few tips that can get you better results in less time:
1. Setting the shutter speed - You should choose a the speed in such a way as to give you enough time to zoom the lens all the way in or out. There is no standard setting. There are some factors you should take into account whenever you take such a photo. These factors include the level of lighting available, the type of lens you have and the amount of movement (both of the subject and the camera). Again, experimenting with different speeds is very important as a different setting will give you another level of the zoom effect.
2. Aperture - Though not very important for the zoom effect, aperture can be a problem in overexposed situations when you set the shutter speed very low as it allows more light inside. You can cope with this by setting a larger aperture.
3. Zooming - In order to get nice and uniform motion lines in the photo you should be able to keep the zooming speed constant. Speeding up at one point and slowing down later will ruin the picture. Experimenting is again critical for success.
4. The use of lighting - Using lights in a certain way can have pretty interesting effects on the zoom effect. Below are two pictures taking at a stage performance with the stage being lighted in colorful bright lights while the rest was dark. The first photo is aimed to show the real situation, while the second uses the racking the lens effect. In the second photo, the photographer pressed the flash button just enough to catch the subjects on the foreground. In long exposure, he did manage to freeze just part of the picture (the audience and video crew) while creating a movement effect behind it (the stage performance) as well as around it (the infrared effect from a camera)
Hope you will find these tips useful. However, remember that the more you practice, the better you'll get. It's all about experimenting and playing with the camera.
About the Author
Alex D. is a writer about photography techniques for http://reshade.com . Reshade.com is specialized in online picture resizing applications and offers a free online picture resizing service. Also it provides a photo resizing software program for Windows. Give it a try now!
The zoom effect refers to the photographic technique in each you take the photo in such a way that it seems the subject is coming towards you or moving away from you. The movement is simulated by some motion-like lines. This technique is also called 'racking the lens'. This effect can also be created after the photo is done in programs like Photoshop (where it is called 'radial blur'). This article will refer to the creation of a motion effect while shooting.
There are three steps you should follow if you want to achieve this effect: Step 1: Set the shutter to a longer exposure. Step 2: Compose the picture, focus and then shoot. Step 3: Zoom the lens in and out in between the times when the shutter opens and when it closes.
This may not work from the beginning, but you'll get it right with a lot of practice, and that's the fun part about photography. Here are a few tips that can get you better results in less time:
1. Setting the shutter speed - You should choose a the speed in such a way as to give you enough time to zoom the lens all the way in or out. There is no standard setting. There are some factors you should take into account whenever you take such a photo. These factors include the level of lighting available, the type of lens you have and the amount of movement (both of the subject and the camera). Again, experimenting with different speeds is very important as a different setting will give you another level of the zoom effect.
2. Aperture - Though not very important for the zoom effect, aperture can be a problem in overexposed situations when you set the shutter speed very low as it allows more light inside. You can cope with this by setting a larger aperture.
3. Zooming - In order to get nice and uniform motion lines in the photo you should be able to keep the zooming speed constant. Speeding up at one point and slowing down later will ruin the picture. Experimenting is again critical for success.
4. The use of lighting - Using lights in a certain way can have pretty interesting effects on the zoom effect. Below are two pictures taking at a stage performance with the stage being lighted in colorful bright lights while the rest was dark. The first photo is aimed to show the real situation, while the second uses the racking the lens effect. In the second photo, the photographer pressed the flash button just enough to catch the subjects on the foreground. In long exposure, he did manage to freeze just part of the picture (the audience and video crew) while creating a movement effect behind it (the stage performance) as well as around it (the infrared effect from a camera)
Hope you will find these tips useful. However, remember that the more you practice, the better you'll get. It's all about experimenting and playing with the camera.
About the Author
Alex D. is a writer about photography techniques for http://reshade.com . Reshade.com is specialized in online picture resizing applications and offers a free online picture resizing service. Also it provides a photo resizing software program for Windows. Give it a try now!
Wednesday, January 14, 2009
The Work of Photographer Wedding
The Work of Photographer Wedding By Francesco Carrino
While the layman may seem a kind of photographic easy access, pleasant and profitable, the photo of the ceremony, in fact rooted in a long apprenticeship technical and creative that can not be replaced by the simple purchase of basic equipment. This area of photography is a constant effort that must merge, thanks to a well-shooting technique, his compositional style, a good memory for images of art, the director of events and discretion necessary to address the circumstances. The Wedding ceremony is the appearance of the merger of two people in a new reality and then the photographer has to translate the emotions, dreams and desires of the couple in pictures. A good photographer can create images without the use of flash that compromise the naturalness of a scene. The more an image is achieved easily, the more will emerge the emotional content of that day.
We need to devote much attention to the shooting at the house of the bride, performing a series of shots is a figure that in the foreground using the light entering through a window paying attention to the presence of household lights, the source of natural light used in front will highlight the dress of the bride, used cutting or three quarters reveals the beauty and expressions of face.Un against the partial or total complement the pictures of the bride at home where there will be pictures with parents and friends. Beautiful photos made to the bride is accompanied many shots of reports that describe both the faces of the people participating in the festival is all the details: dress, bouquet, shoes, etc.
In the church is moving very good option but at the same time be encouraged reportage photos so we have both the photos that tell the emotions of the bride and groom but also all the details of decoration. Directed by a photographer gets more evident in the pictures of the exterior, usually before the arrival of the couple in the restaurant. Avoid making static pictures but on the contrary, it is appropriate to involve the spouses in dynamic moments of spontaneity, always doing a lot of attention to light. Indeed it may be vivid and powerful in the middle of the day, hot and intense in the afternoon or you can put cold and soft in a cloudy day.
It will be a good photographer to find the location and the appropriate place for that light trying to highlight its best features. It concludes with pictures of the reception and cake. The work of the photographer does not stop for the day of shooting, but continues to control the color rendering of your photos entrusting their corrections to a very good laboratory, and finally the installation of a photo album will be simple and elegant. To see some work, please visit www.fotocarrino.it
Francesco Carrino
Article Source: http://EzineArticles.com/?expert=Francesco_Carrino
While the layman may seem a kind of photographic easy access, pleasant and profitable, the photo of the ceremony, in fact rooted in a long apprenticeship technical and creative that can not be replaced by the simple purchase of basic equipment. This area of photography is a constant effort that must merge, thanks to a well-shooting technique, his compositional style, a good memory for images of art, the director of events and discretion necessary to address the circumstances. The Wedding ceremony is the appearance of the merger of two people in a new reality and then the photographer has to translate the emotions, dreams and desires of the couple in pictures. A good photographer can create images without the use of flash that compromise the naturalness of a scene. The more an image is achieved easily, the more will emerge the emotional content of that day.
We need to devote much attention to the shooting at the house of the bride, performing a series of shots is a figure that in the foreground using the light entering through a window paying attention to the presence of household lights, the source of natural light used in front will highlight the dress of the bride, used cutting or three quarters reveals the beauty and expressions of face.Un against the partial or total complement the pictures of the bride at home where there will be pictures with parents and friends. Beautiful photos made to the bride is accompanied many shots of reports that describe both the faces of the people participating in the festival is all the details: dress, bouquet, shoes, etc.
In the church is moving very good option but at the same time be encouraged reportage photos so we have both the photos that tell the emotions of the bride and groom but also all the details of decoration. Directed by a photographer gets more evident in the pictures of the exterior, usually before the arrival of the couple in the restaurant. Avoid making static pictures but on the contrary, it is appropriate to involve the spouses in dynamic moments of spontaneity, always doing a lot of attention to light. Indeed it may be vivid and powerful in the middle of the day, hot and intense in the afternoon or you can put cold and soft in a cloudy day.
It will be a good photographer to find the location and the appropriate place for that light trying to highlight its best features. It concludes with pictures of the reception and cake. The work of the photographer does not stop for the day of shooting, but continues to control the color rendering of your photos entrusting their corrections to a very good laboratory, and finally the installation of a photo album will be simple and elegant. To see some work, please visit www.fotocarrino.it
Francesco Carrino
Article Source: http://EzineArticles.com/?expert=Francesco_Carrino
Tips on Digital Photography For Beginners
Tips on Digital Photography For Beginners By Alex Don
Now getting great looking digital photographs is not difficult. You may wonder, with complex features the digital camera has, whether you will get good images. You may be worried about messing up your shots. The advantages of digital cameras are many. For example, unlike the traditional film cameras, you can take as many photos as as long as your memory card permits. If some photos which have not come right those could be easily deleted so that you can have more space. In essence, the digital photography is not only cost effective but also has flexibility to experiment without any hindrance.
1.Frequent use of digital camera
The more you use it, the better you'll get. The more familiar you get with it, the more you become comfortable in using the complex features it offer. Taking many photos will help you to get familiarized with your new digital camera. You should experiment with the digital camera using many features it has, and see the outcome on your photos. Always look for the most appropriate setting suit for the condition, do not blindly follow the default settings, since these may no be the best option. This implies that using digital camera, you have to experiment and also use your creativity. More you play with the camera, more you learn the fine features of the camera.
2. Take Photos under natural light
When taking digital photos always try to use natural light which is these the best for photography. Shooting indoors, take special attention to light coming through windows. Some times direct sunlight streaming through a window may not be the best alternative For example, better photos are possible using indirect or softer light coming from a window. Better to experiment using different windows so that you can decide which window provides you the best natural lighting.
3.Get rid of red-eye
The red-eye reduction can be easily got rid of using the facility available on your digital camera. In most digital cameras this feature is provided. When using an external flash, hold it to the left or the right of your camera. And again, try using natural light if possible. If the red eye condition still appears, do not worry, this can be adjusted using the photo edit software.
4.Tripod for taking close-ups.
Sturdy tripods are available at an affordable price, and will be valuable accessory if you are taking close-ups or zooming in. You need to fix tripod on a firm surface when using the tripod. Always invest on a good quality tripods, as cheap ones are unstable. Minimize the risk of managing your valuable digital camera by going for stable and quality tripod. Don't be afraid to experiment.
With a digital camera, you can do many things without wasting your time and money. Some times you may face with lack of memory space, then just delete what ever you do not retain and get the required space. So if you have not yet into digital photography, start right now, it will certainly stimulate your creativity and for some it may be an income generator.
Alex usually writes about photography methods for http://reshade.com. The company is specialized in image enlargement programs offering a free online picture resizer service. It's also possible to get an image resizer software application . Try it out now!
Article Source: http://EzineArticles.com/?expert=Alex_Don
Now getting great looking digital photographs is not difficult. You may wonder, with complex features the digital camera has, whether you will get good images. You may be worried about messing up your shots. The advantages of digital cameras are many. For example, unlike the traditional film cameras, you can take as many photos as as long as your memory card permits. If some photos which have not come right those could be easily deleted so that you can have more space. In essence, the digital photography is not only cost effective but also has flexibility to experiment without any hindrance.
1.Frequent use of digital camera
The more you use it, the better you'll get. The more familiar you get with it, the more you become comfortable in using the complex features it offer. Taking many photos will help you to get familiarized with your new digital camera. You should experiment with the digital camera using many features it has, and see the outcome on your photos. Always look for the most appropriate setting suit for the condition, do not blindly follow the default settings, since these may no be the best option. This implies that using digital camera, you have to experiment and also use your creativity. More you play with the camera, more you learn the fine features of the camera.
2. Take Photos under natural light
When taking digital photos always try to use natural light which is these the best for photography. Shooting indoors, take special attention to light coming through windows. Some times direct sunlight streaming through a window may not be the best alternative For example, better photos are possible using indirect or softer light coming from a window. Better to experiment using different windows so that you can decide which window provides you the best natural lighting.
3.Get rid of red-eye
The red-eye reduction can be easily got rid of using the facility available on your digital camera. In most digital cameras this feature is provided. When using an external flash, hold it to the left or the right of your camera. And again, try using natural light if possible. If the red eye condition still appears, do not worry, this can be adjusted using the photo edit software.
4.Tripod for taking close-ups.
Sturdy tripods are available at an affordable price, and will be valuable accessory if you are taking close-ups or zooming in. You need to fix tripod on a firm surface when using the tripod. Always invest on a good quality tripods, as cheap ones are unstable. Minimize the risk of managing your valuable digital camera by going for stable and quality tripod. Don't be afraid to experiment.
With a digital camera, you can do many things without wasting your time and money. Some times you may face with lack of memory space, then just delete what ever you do not retain and get the required space. So if you have not yet into digital photography, start right now, it will certainly stimulate your creativity and for some it may be an income generator.
Alex usually writes about photography methods for http://reshade.com. The company is specialized in image enlargement programs offering a free online picture resizer service. It's also possible to get an image resizer software application . Try it out now!
Article Source: http://EzineArticles.com/?expert=Alex_Don
Monday, January 12, 2009
At the Canopy, Tree Climbing Techniques For Photographers
At the Canopy, Tree Climbing Techniques For Photographers By Carlos Sastoque
Being born and living in a country where most of its surface is covered with forests of all kinds, e.g. cloud forests, rain forests, Andean wet forests I have been practicing and developing my tree-climbing techniques in order to get the pictures of the higher zone of these ecosystems. I have to admit that for me (and I guess for any other photographer that has shot in the canopy) it would be most comfortable and easy to just travel by foot searching for wide vistas or stalking wildlife with tripod and camera on my shoulder like one is likely to do in Alaska or, even cozier yet, travelling on a Land Rover over the savanna of Africa but the truth is that getting the images that I want in the country that I live and in the less explored habitats of the world requires overcoming any fear of heights and leaving the very human comfort zone of the ground.
In the Amazon rainforest alone it is believed that between 70-90% of its biodiversity live, travel and coexist in the mid to top levels of the forest. Not only that but going up a tree can give you a pleasant breath of air from the humid forest below, you can even shoot with sunrise and sunset light, a big photographic plus in an ecosystem where several feet below darkness would probably has settled long ago.
THE EQUIPMENT
I'll talk first about the tree-climbing equipment:
The idea of tree-climbing is that you pass a climbing rope over one or several tree branches of the tree you intend to climb. One end of the rope is tied securely to another tree and the the other end is the one you climb. I use ½ inch. braided rope. I like to have several of these ropes so I can work at different trees in the same area I'm taking pictures at. I have ropes from 90 ft. to 250 ft. which cover basically all the different heights I would like to work at. Here one has to take into account that one needs a rope at least 2 ½ times the length of the intended height since the rope doubles over the tree limb and the angle and knots take away some rope. Having different tree stations allows me to adapt my shooting to the conditions of the place. Many animals have roosting sites where they arrive predictably every afternoon for example so one of my stations surely will be adjacent in order to work in the afternoon and some other station might be better placed to take advantage of morning light.
To support the body I use a standard Petzl harness althought I'm seriously considering getting a seat harness a much more comfortable one in the cases I have to take pictures hanging from the rope.
Climbing a rope requires a mechanical device called the ascender. The harness attaches to the ascender which slides up the rope but when your weight is pulled down it grabs the rope with small teeth that penetrate it. So you need two ascenders: one goes attached to the harness and the other one, fitted with a piece of tubular webbing, allows you to stand up on it and slide the upper ascender up the rope. I use Petzl ascenders.
The last important accessory that you'll need is a descender. The name says it all: it is used to descend safely through the rope. I have two of these: a figure 8 descender and a rack descender. Other accessories I use are carabiners, several loops of tubular webbing, cowhide gloves, an etrier (a webbing ladder).
On the next section I'll talk about the other tools and equipment needed to set the stations.
THE TECHNIQUE
When I first arrive at an area that I plan to photograph I usually don't go and set up any rope right away. I try to walk the zone for a few days noticing where there are fruiting trees, roosting sites, nests, canopy avenues, rest trees, etc., all places that will attract wildlife at some point during the day hopefully or maybe along the week. Once I have pinpointed a promising tree, I search for larger trees close-by that I can climb safely. Other important points to consider are where the light will come from at any time of day, how clean the view will be (a tree with too many branches will be difficult to work from), whether the species to be photographed is too sensitive to human intrusion, if it is a nest extreme care must be taken so as not to disrupt the cycle), the climbing tree needs to look healthy with sprouting branches at the top.
Once the climbing tree is selected I use a Marksman slingshot adapted with an empty soda plastic bottle pointing forward. Wrapped around the plastic bottle are 300 ft. of 16-pound monofilament. On the loose point of the monofilament I tie a 9-oz. fishing lead sinker. Now it's just a matter of choosing the best-looking limb of the tree, pointing the slingshot with the sinker and letting go of the mono. Hopefully after a few tries I will have passed the singer and mono over the chosen branch and the sinker will be on the ground at the other side. I now clip the sinker off and tie to this point of the monofilament a 300 ft. curtain cord. Then I pull the mono back to the bottle while the other side with the curtain cord starts going up. Once I have the point of the cord in my hands I repeat the process above but this time I tie the climbing rope to the curtain cord. At the end, I will have the climbing rope over the selected limb. I tie one end of the rope on another strong tree nearby with a double bowline knot.
THE STATION
Although platforms are more comfortable to use up in a tree since I can use my tripod and even sleep on them I usually don't build them for several reasons: if I am working at a national park or reserve I would probably would need to get a permit, something that I think will probably be denied, I would also need a lot of wood planks which would require carrying for some distance, I think the tree suffers much less with less nails, if the platform is at a place where I don't plan to return too often all the effort in building a platform will be lost; instead the following method has proved very practical, fast and efficient to my needs.
I prefer to set up my photo station right at the fork formed by the main tree trunk with a secondary strong branch. This is so I can sling my hanging fabric seat from every side easily. Once I arrive at the fork the first thing I do is to nail two traverse logs on every side of the fork. These logs will support the camera/lens via a Bogen Manfrotto Super Clamp and my Graf Studioball ballhead. I then sling my seat at the appropiate height on the fork so as to let me maneuver my camera in a sitting position; this seat is very important since many times I spend up to 12 hours up in a tree and to be standing up all the time would be too tiring. Afterwards, sometimes (depending on the subject tameness) I pin two 6 ft. x 3 ft. pieces of camo fabric on every side of the station to act as a blind. Once all the station is set up I can bring up my equipment which I have tied to the end of the rope. The whole bag is secured with carabiners and webbing loops. It's very important to have everything, including you, tied to an anchor point in the tree. I have dropped many things from up there and finding them in one piece is a miracle. Changing lenses carefully is specially important since you don't have any surface to place them; I carry two waist packs, one of them empty, so I can easily put away lenses, filters and accessories.
Before you try tree-climbing I advise you to take a course on techniques and safety. Once you have gained confidence in the process you will be rewarded by magnificent vistas and great images from the canopy.
http://www.carlossastoque.comhttp://www.carlossastoque.com/ARTICLES/Treeclimbing/Treeclimbing.html
Article Source: http://EzineArticles.com/?expert=Carlos_Sastoque
Being born and living in a country where most of its surface is covered with forests of all kinds, e.g. cloud forests, rain forests, Andean wet forests I have been practicing and developing my tree-climbing techniques in order to get the pictures of the higher zone of these ecosystems. I have to admit that for me (and I guess for any other photographer that has shot in the canopy) it would be most comfortable and easy to just travel by foot searching for wide vistas or stalking wildlife with tripod and camera on my shoulder like one is likely to do in Alaska or, even cozier yet, travelling on a Land Rover over the savanna of Africa but the truth is that getting the images that I want in the country that I live and in the less explored habitats of the world requires overcoming any fear of heights and leaving the very human comfort zone of the ground.
In the Amazon rainforest alone it is believed that between 70-90% of its biodiversity live, travel and coexist in the mid to top levels of the forest. Not only that but going up a tree can give you a pleasant breath of air from the humid forest below, you can even shoot with sunrise and sunset light, a big photographic plus in an ecosystem where several feet below darkness would probably has settled long ago.
THE EQUIPMENT
I'll talk first about the tree-climbing equipment:
The idea of tree-climbing is that you pass a climbing rope over one or several tree branches of the tree you intend to climb. One end of the rope is tied securely to another tree and the the other end is the one you climb. I use ½ inch. braided rope. I like to have several of these ropes so I can work at different trees in the same area I'm taking pictures at. I have ropes from 90 ft. to 250 ft. which cover basically all the different heights I would like to work at. Here one has to take into account that one needs a rope at least 2 ½ times the length of the intended height since the rope doubles over the tree limb and the angle and knots take away some rope. Having different tree stations allows me to adapt my shooting to the conditions of the place. Many animals have roosting sites where they arrive predictably every afternoon for example so one of my stations surely will be adjacent in order to work in the afternoon and some other station might be better placed to take advantage of morning light.
To support the body I use a standard Petzl harness althought I'm seriously considering getting a seat harness a much more comfortable one in the cases I have to take pictures hanging from the rope.
Climbing a rope requires a mechanical device called the ascender. The harness attaches to the ascender which slides up the rope but when your weight is pulled down it grabs the rope with small teeth that penetrate it. So you need two ascenders: one goes attached to the harness and the other one, fitted with a piece of tubular webbing, allows you to stand up on it and slide the upper ascender up the rope. I use Petzl ascenders.
The last important accessory that you'll need is a descender. The name says it all: it is used to descend safely through the rope. I have two of these: a figure 8 descender and a rack descender. Other accessories I use are carabiners, several loops of tubular webbing, cowhide gloves, an etrier (a webbing ladder).
On the next section I'll talk about the other tools and equipment needed to set the stations.
THE TECHNIQUE
When I first arrive at an area that I plan to photograph I usually don't go and set up any rope right away. I try to walk the zone for a few days noticing where there are fruiting trees, roosting sites, nests, canopy avenues, rest trees, etc., all places that will attract wildlife at some point during the day hopefully or maybe along the week. Once I have pinpointed a promising tree, I search for larger trees close-by that I can climb safely. Other important points to consider are where the light will come from at any time of day, how clean the view will be (a tree with too many branches will be difficult to work from), whether the species to be photographed is too sensitive to human intrusion, if it is a nest extreme care must be taken so as not to disrupt the cycle), the climbing tree needs to look healthy with sprouting branches at the top.
Once the climbing tree is selected I use a Marksman slingshot adapted with an empty soda plastic bottle pointing forward. Wrapped around the plastic bottle are 300 ft. of 16-pound monofilament. On the loose point of the monofilament I tie a 9-oz. fishing lead sinker. Now it's just a matter of choosing the best-looking limb of the tree, pointing the slingshot with the sinker and letting go of the mono. Hopefully after a few tries I will have passed the singer and mono over the chosen branch and the sinker will be on the ground at the other side. I now clip the sinker off and tie to this point of the monofilament a 300 ft. curtain cord. Then I pull the mono back to the bottle while the other side with the curtain cord starts going up. Once I have the point of the cord in my hands I repeat the process above but this time I tie the climbing rope to the curtain cord. At the end, I will have the climbing rope over the selected limb. I tie one end of the rope on another strong tree nearby with a double bowline knot.
THE STATION
Although platforms are more comfortable to use up in a tree since I can use my tripod and even sleep on them I usually don't build them for several reasons: if I am working at a national park or reserve I would probably would need to get a permit, something that I think will probably be denied, I would also need a lot of wood planks which would require carrying for some distance, I think the tree suffers much less with less nails, if the platform is at a place where I don't plan to return too often all the effort in building a platform will be lost; instead the following method has proved very practical, fast and efficient to my needs.
I prefer to set up my photo station right at the fork formed by the main tree trunk with a secondary strong branch. This is so I can sling my hanging fabric seat from every side easily. Once I arrive at the fork the first thing I do is to nail two traverse logs on every side of the fork. These logs will support the camera/lens via a Bogen Manfrotto Super Clamp and my Graf Studioball ballhead. I then sling my seat at the appropiate height on the fork so as to let me maneuver my camera in a sitting position; this seat is very important since many times I spend up to 12 hours up in a tree and to be standing up all the time would be too tiring. Afterwards, sometimes (depending on the subject tameness) I pin two 6 ft. x 3 ft. pieces of camo fabric on every side of the station to act as a blind. Once all the station is set up I can bring up my equipment which I have tied to the end of the rope. The whole bag is secured with carabiners and webbing loops. It's very important to have everything, including you, tied to an anchor point in the tree. I have dropped many things from up there and finding them in one piece is a miracle. Changing lenses carefully is specially important since you don't have any surface to place them; I carry two waist packs, one of them empty, so I can easily put away lenses, filters and accessories.
Before you try tree-climbing I advise you to take a course on techniques and safety. Once you have gained confidence in the process you will be rewarded by magnificent vistas and great images from the canopy.
http://www.carlossastoque.comhttp://www.carlossastoque.com/ARTICLES/Treeclimbing/Treeclimbing.html
Article Source: http://EzineArticles.com/?expert=Carlos_Sastoque
What's Up With the Canon EOS 400D LCD Screen?
What's Up With the Canon EOS 400D LCD Screen? By Chris Campbell
Before commenting on the underlying technical characteristics of the screen, we need to look at the physical characteristics of the display provided with the Canon EOS 400D SLR.
Adequate lighting is required to view the LCD. partially due to the design decision to go with a somewhat small LCD. Although it's hard to assess what design considerations went into a manufacturers choice of screen size, it's not necessarily the right answer to just say that the LCD should be bigger. As long as the screen offers enough information about the scene the photographer is attempting to compose the physical size is a secondary factor. A larger screen can interfere with the camera, by limiting the shutter, diaphragm, exposure, and other controls. Even with a smaller sized screen, the EOS 400D seems to accomplish what it needs to.
By not having a second screen, as happened with the EOS 350D, the new SLR uses the sole LCD to present all applicable information to the photographer. This new configuration comes with, fortunately, a sensor placed just below the viewfinder that is responsible for disconnecting the monitor back to face the camera. Yes, exactly like the deceased Konica Minolta SLR and the Sony Alpha A100.
The exact technical specifications are still respectable. A 2.5 inch LCD with 230,000 points of resolution. The 400D allows for some of revising of photographs on the LCD, with a level of quality and room for expansion. Moreover, as in all Canon SLRs, it dispenses with the plastic lid as protection, which apparently is not necessary. Thank goodness. After a few days of solid camera use, their appears to be no scratches whatsoever on the LCD.
Visit Good Digital Cameras for more info, and discounts on the Canon EOS 400D and it's competition.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
Before commenting on the underlying technical characteristics of the screen, we need to look at the physical characteristics of the display provided with the Canon EOS 400D SLR.
Adequate lighting is required to view the LCD. partially due to the design decision to go with a somewhat small LCD. Although it's hard to assess what design considerations went into a manufacturers choice of screen size, it's not necessarily the right answer to just say that the LCD should be bigger. As long as the screen offers enough information about the scene the photographer is attempting to compose the physical size is a secondary factor. A larger screen can interfere with the camera, by limiting the shutter, diaphragm, exposure, and other controls. Even with a smaller sized screen, the EOS 400D seems to accomplish what it needs to.
By not having a second screen, as happened with the EOS 350D, the new SLR uses the sole LCD to present all applicable information to the photographer. This new configuration comes with, fortunately, a sensor placed just below the viewfinder that is responsible for disconnecting the monitor back to face the camera. Yes, exactly like the deceased Konica Minolta SLR and the Sony Alpha A100.
The exact technical specifications are still respectable. A 2.5 inch LCD with 230,000 points of resolution. The 400D allows for some of revising of photographs on the LCD, with a level of quality and room for expansion. Moreover, as in all Canon SLRs, it dispenses with the plastic lid as protection, which apparently is not necessary. Thank goodness. After a few days of solid camera use, their appears to be no scratches whatsoever on the LCD.
Visit Good Digital Cameras for more info, and discounts on the Canon EOS 400D and it's competition.
Article Source: http://EzineArticles.com/?expert=Chris_Campbell
Thursday, January 8, 2009
Welcome the New Year with Photo Greeting Cards
Welcome the New Year with Photo Greeting Cards by Shawn Thomas
Are you thinking this year that you will not be able to show up at the in-laws' to usher in the New Year? With travel budgets getting tighter and with the inconveniences of traveling with children, more and more people are choosing to stay at home and welcome the New Year in their own quiet way.
Celebrating quietly, however, does not have to mean that you will miss out on sharing beast wishes for the new year with friends and family. The next best thing to being physically present is to send off a New Year greeting card with a photo of yourself or your family. For your loved ones, that's almost as good as being "on the spot" when the clock strikes midnight and 2009 arrives.
With advances in photo technology, your greeting cards for the holidays can be customized with your own words and photos, creating the perfect way to send a highly personal greeting card.
Photo Greeting Cards: Many Uses
There are a few ways to take advantage of photo greeting cards:
1. When you have a brand new baby, you can have a photo taken of you, your husband or wife and the baby, and have it printed on a dozen or so cards to send off to close friends and relatives. If you prefer, just have the baby's photo on the card.
2. If you can't make it to your niece's New Year's celebration in London, you can send her a greeting card with one of her graduation pictures which you took last summer. This can be your way of telling her that your hopes for her as the New Year comes rolling in are that she's happy, healthy and looking forward to her first job.
3. Have you found a soulmate online and trust him or her enough to send him a picture of yourself? Select your favorite photo and put it in a whacky greeting card. You can scribble some lines saying, "since we have been exchanging e-mails for six months now, I figure it's time for you to get an idea of how I look."
4. Are you working in some remote, exotic land and can't make it home? Send a greeting card with a photo of a spot in that foreign country (with or without you) to tell friends and family that while your new assignment is exciting, there's no place you'd rather be than around the dinner table with them, staring at a beautiful, home-made juicy New Year turkey!
5. Do you and your brother want to do something special for mom and dad who will be celebrating their 50th anniversary on New Year's Day? Go into the attic and dig up their first wedding picture and have it reproduced into a great greeting card with a cutomized saying. Photo Greeting Cards: Styles
You can go green or you can go retro. It's up to you! Card styles come in a wide variety of formats, colors, sizes, dimensions and special spaces to tuck in that special photo you have been saving. Square, round, rectangle or triangle, your photos can be made to fit.
Some popular styles include:
1. Choose the traditional colors of red, white or green to complement your photos - one type of horizontal greeting card with a folding measurement of 7-7/8 x 5-5/8 can accommodate as many as three photos. Use the holiday colors for your paper and ink. Make your own verse or choose from pre-written verses. Sets of 25 cards and 25 white envelopes are available.
2. Select a seasonal snowflake theme. You can personalize the verse or select from any of the verses specially written for the holidays. All you need to do is upload one or more photos from your computer and indicate specs: size, colors, shape, verse, ink and paper, and quantity.
3. Photo greeting cards also have a variety of backgrounds to suit your mood and personality, or that of your recipients. Themes include zebra, peppermint stripes, snowbirds, silent night, winter wonderland or landscapes photo cards. Your Photo, or…
You don't have to limit yourself to family or individual photos. If you've got some beautiful photos of your pet, art work, book cover, or clip art that you personally designed, you can also use these for your New Year greeting cards.
Remember that just because the majority of greeters send their family photos does not mean you have to do the same. Your favorite photo can be a busy street café or your cat curled up in the couch, whatever you decide, make sure it reflects you 100%!
You can order your New Year greeting photo cards with either the classic fold photo card, accordion fold photo card, or other fold options. You can decide on either a photo note card format or personalized stationary cards with matching envelopes.
Ordering your Photo Greeting Cards
Numerous web sites can take your orders online, thanks to easy payment methods. Make sure you tell the store if you're sending a negative, slide, paper photo or digital image file (for digital images, the retailer will specify what formats they accept; for example jpeg, png or gif). Also, make certain you check your message for typing errors before you send it with your order!
About the Author
Shawn Thomas is a freelance writer who writes about style, etiquette and gift giving. Mr. Thomas often discusses specific ideas for gift giving such as photo greeting cards and other kinds of stationery.
Are you thinking this year that you will not be able to show up at the in-laws' to usher in the New Year? With travel budgets getting tighter and with the inconveniences of traveling with children, more and more people are choosing to stay at home and welcome the New Year in their own quiet way.
Celebrating quietly, however, does not have to mean that you will miss out on sharing beast wishes for the new year with friends and family. The next best thing to being physically present is to send off a New Year greeting card with a photo of yourself or your family. For your loved ones, that's almost as good as being "on the spot" when the clock strikes midnight and 2009 arrives.
With advances in photo technology, your greeting cards for the holidays can be customized with your own words and photos, creating the perfect way to send a highly personal greeting card.
Photo Greeting Cards: Many Uses
There are a few ways to take advantage of photo greeting cards:
1. When you have a brand new baby, you can have a photo taken of you, your husband or wife and the baby, and have it printed on a dozen or so cards to send off to close friends and relatives. If you prefer, just have the baby's photo on the card.
2. If you can't make it to your niece's New Year's celebration in London, you can send her a greeting card with one of her graduation pictures which you took last summer. This can be your way of telling her that your hopes for her as the New Year comes rolling in are that she's happy, healthy and looking forward to her first job.
3. Have you found a soulmate online and trust him or her enough to send him a picture of yourself? Select your favorite photo and put it in a whacky greeting card. You can scribble some lines saying, "since we have been exchanging e-mails for six months now, I figure it's time for you to get an idea of how I look."
4. Are you working in some remote, exotic land and can't make it home? Send a greeting card with a photo of a spot in that foreign country (with or without you) to tell friends and family that while your new assignment is exciting, there's no place you'd rather be than around the dinner table with them, staring at a beautiful, home-made juicy New Year turkey!
5. Do you and your brother want to do something special for mom and dad who will be celebrating their 50th anniversary on New Year's Day? Go into the attic and dig up their first wedding picture and have it reproduced into a great greeting card with a cutomized saying. Photo Greeting Cards: Styles
You can go green or you can go retro. It's up to you! Card styles come in a wide variety of formats, colors, sizes, dimensions and special spaces to tuck in that special photo you have been saving. Square, round, rectangle or triangle, your photos can be made to fit.
Some popular styles include:
1. Choose the traditional colors of red, white or green to complement your photos - one type of horizontal greeting card with a folding measurement of 7-7/8 x 5-5/8 can accommodate as many as three photos. Use the holiday colors for your paper and ink. Make your own verse or choose from pre-written verses. Sets of 25 cards and 25 white envelopes are available.
2. Select a seasonal snowflake theme. You can personalize the verse or select from any of the verses specially written for the holidays. All you need to do is upload one or more photos from your computer and indicate specs: size, colors, shape, verse, ink and paper, and quantity.
3. Photo greeting cards also have a variety of backgrounds to suit your mood and personality, or that of your recipients. Themes include zebra, peppermint stripes, snowbirds, silent night, winter wonderland or landscapes photo cards. Your Photo, or…
You don't have to limit yourself to family or individual photos. If you've got some beautiful photos of your pet, art work, book cover, or clip art that you personally designed, you can also use these for your New Year greeting cards.
Remember that just because the majority of greeters send their family photos does not mean you have to do the same. Your favorite photo can be a busy street café or your cat curled up in the couch, whatever you decide, make sure it reflects you 100%!
You can order your New Year greeting photo cards with either the classic fold photo card, accordion fold photo card, or other fold options. You can decide on either a photo note card format or personalized stationary cards with matching envelopes.
Ordering your Photo Greeting Cards
Numerous web sites can take your orders online, thanks to easy payment methods. Make sure you tell the store if you're sending a negative, slide, paper photo or digital image file (for digital images, the retailer will specify what formats they accept; for example jpeg, png or gif). Also, make certain you check your message for typing errors before you send it with your order!
About the Author
Shawn Thomas is a freelance writer who writes about style, etiquette and gift giving. Mr. Thomas often discusses specific ideas for gift giving such as photo greeting cards and other kinds of stationery.
Sunday, January 4, 2009
4 Tips to Choosing the Perfect Profile Photo for a Free Dating Site
4 Tips to Choosing the Perfect Profile Photo for a Free Dating Site by Ingrid Margaret
Choosing the right photo for your profile on any free dating site is critical. The tips below will help you make the best choice for dating success.
One of the most important aspects of being successful on a free dating site is developing an attention-getting profile. Of course, the main ingredient for any effective profile is a stunning photograph. Below are some tips that will help you choose the best profile for your free dating site profile.
Professional or Personal
When you are selecting a photo for your free dating site, the first step is to decide whether you want a professionally taken picture or one you've taken yourself or that was taken by someone else you know. The biggest factor is your preference. While you'll have to pay good money for quality photos from a professional, you will benefit from their lighting expertise and their ability to shoot you in the best possible angle. However, personal photographs are typically more natural and allow more of your personality to seep through.
Regardless of which choice you make, do not resort to those professionals who will "glamourize" you for the photo shoot. You want to look as natural as possible.
Background Considerations
When you are choosing a photo for your free dating site profile, you also need to keep in mind the background of any shots you consider using. Remember that your safety should be a top priority, so don't take any photographs that might give away your location, including the names of schools, landmarks, or anything similar.
You also don't want to pick photographs that include other people, even parts of other people. For one, you should never publicize someone's photograph without their permission. More importantly, you don't want to distract viewers from your image. This is a good reason why you should take new pictures instead of relying on old ones.
Pick Recent Photographs
One of the biggest ways people stretch the photographic truth on a free dating site is by posting out-of-date photos. When nothing in the background can give away the time of the photo, you may be able to fool a possible respondent with a ten year old photograph. However, you won't be able to fool that person when you meet offline. If you are serious about having a relationship outside of the Internet, you need to choose photographs that show what you look like today even if that means sharing a few of your flaws, such as a few extra pounds or a receding hair line.
Limit Yourself
Although many profiles at a free dating site will let you upload a large number of photographs, you want to stick to only a couple. The maximum you use should always be around three. If you want people to see more images of you, direct them to a personal web site. You should consider a head shot (from the shoulders up) for your profile's main image. Choose a full-length image for one of your other photographs and use the other to show off something you enjoy doing, such as golfing or collecting movies.
About the Author
If you want to get your profile at a Free Dating Site or Dating Site on the right track, you need to visit http://www.online-dating-service-sg.com to learn more.
Choosing the right photo for your profile on any free dating site is critical. The tips below will help you make the best choice for dating success.
One of the most important aspects of being successful on a free dating site is developing an attention-getting profile. Of course, the main ingredient for any effective profile is a stunning photograph. Below are some tips that will help you choose the best profile for your free dating site profile.
Professional or Personal
When you are selecting a photo for your free dating site, the first step is to decide whether you want a professionally taken picture or one you've taken yourself or that was taken by someone else you know. The biggest factor is your preference. While you'll have to pay good money for quality photos from a professional, you will benefit from their lighting expertise and their ability to shoot you in the best possible angle. However, personal photographs are typically more natural and allow more of your personality to seep through.
Regardless of which choice you make, do not resort to those professionals who will "glamourize" you for the photo shoot. You want to look as natural as possible.
Background Considerations
When you are choosing a photo for your free dating site profile, you also need to keep in mind the background of any shots you consider using. Remember that your safety should be a top priority, so don't take any photographs that might give away your location, including the names of schools, landmarks, or anything similar.
You also don't want to pick photographs that include other people, even parts of other people. For one, you should never publicize someone's photograph without their permission. More importantly, you don't want to distract viewers from your image. This is a good reason why you should take new pictures instead of relying on old ones.
Pick Recent Photographs
One of the biggest ways people stretch the photographic truth on a free dating site is by posting out-of-date photos. When nothing in the background can give away the time of the photo, you may be able to fool a possible respondent with a ten year old photograph. However, you won't be able to fool that person when you meet offline. If you are serious about having a relationship outside of the Internet, you need to choose photographs that show what you look like today even if that means sharing a few of your flaws, such as a few extra pounds or a receding hair line.
Limit Yourself
Although many profiles at a free dating site will let you upload a large number of photographs, you want to stick to only a couple. The maximum you use should always be around three. If you want people to see more images of you, direct them to a personal web site. You should consider a head shot (from the shoulders up) for your profile's main image. Choose a full-length image for one of your other photographs and use the other to show off something you enjoy doing, such as golfing or collecting movies.
About the Author
If you want to get your profile at a Free Dating Site or Dating Site on the right track, you need to visit http://www.online-dating-service-sg.com to learn more.
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